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DigiTech®'s Vocal 300 is an affordable Vocal Effects Processor with a built-in expression pedal. Equipped with multiple mic preamp types, the Vocal 300 is ideal for both warm classic vocals or cutting edge distortion and lo-fi styles. The exclusive voice "characters" transform your voice from the scariest of monsters to spacey alien beings. The Vocal 300 comes with 38 fully programmable studio quality effects (up to 7 effects at once). The built-in expression pedal can be assigned to control your choice of up to 3 parameters in real-time. Each effect includes up to 4 adjustable parameters, giving you total flexibility to create the sound you want. The 6 character alphanumeric and 2 character numeric displays, combined with the 4-knob matrix editing system, provide a simple straightforward user interface. The Vocal 300 also includes 40 great sounding Factory Presets and 40 User Presets for your own custom creations. The rear panel features a 1/8" CD input for singing along with your favorite music, a 1/4" unbalanced input, a balanced XLR input, a balanced XLR mono output, a 1/4" TRS stereo line output and a 1/8" headphone output.
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Technical Details
- 7 Effects at Once- Balanced XLR Input and Outputs, 1/4" TRS Stereo Line Output, Line Input
- Built-in expression pedal
- 40 User, 40 Factory Presets
- Power Supply Included
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By L. Stillwater (Florida)
I have used this gear live for more than 100 gigs. So I feel qualified to say something about this FX processor. Let me get the negative out of the way. It has a lot of effects, but there are only a small handful that is useful for a serious singer. Most of the 40 presets are down right amateurish. Presets such as Chipmunks, Cyborg, and Martian might be good if you are using it for a comedy act, but otherwise than that are useless. It also has feedback issues. After three years the pedal no longer works. I do not know exactly the technical issue of that. Maybe it's an easy fix, but I do not use the pedal much anyway. If you are a professional musician and took one look at the purple box, and fool around with it for 20 minutes you might be discouraged, and automatically you label this gear as a toy marketed to garage kids. Now the question is this. If mine got stolen would I buy another one? The answer is YES!
Let me explain why and go on with the positive points. The small handful effects are worth the price. There are a few reverbs, delay, and pre amps that are pretty good. Not to mention that the de-esser is beneficial. With a little bit of time and experimentation you can find a setting that can prevent and minimize the feedback issue. The key is in the EQ, and also knowing the position of the gain knob, since the gain can be very hot at just 25%. The other key of making this gear shine is to know what kind of microphone you are going to use. If you use a Shure Sm58 microphone it won't be that hard to adjust, but if you are going to plug a higher end dynamic microphone you might have a more problems with feedback cause of a hotter signal, and you would have to readjust the whole setting. So my advice is to choose one microphone you constantly going to use whether a standard SM58 or a high end microphone, and stick with it with your adjusted level. After you use the handful effects that sound good to your ear, and mess around with the EQ that compliments your voice. Then save that preset. You can that afterwards assign your pedal as a wet/dry effect controller or a programmed millisecond delay you might have for a song, or simply use it as a volume pedal. For a long time singers did not have control over their effects as guitarist, and the DigiTech Vocal 300 was one of the first stomp processors available for vocalists. In recent years I have tested the TC Helicon Voice Tone pedals and I've tried them and I thought that they fell short for what I wanted to do. The DigiTech Vocal 300 is the only one it's price range that offers FX, EQ, Pre-Amp, De-Esser all in a box. It's a metal chassis. No to mention that you can put 7 effects all it once.
Conclusion: As years go by I am marveled that this DigiTech purple box is still being sold in music stores and that DigiTech company still puts them out. I have used this gear successfully in certain situations and obviously abandoned it when I am playing in festivals or a large venue, but have on occasion use it in a large venue despite that their was a sound man available, because I did not trust his mix by listening how the previous band sounded vocally. This is the whole reason of why I thought that a stomp effects unit was needed even before the Vocal 300 came out. After working with so many "graduated" mix engineers in a live situation over the years I am perplexed of how the majority of them are really bad at their jobs. They turn knobs like scientists and pretend in their stoic manner as if they know what a good sound is. The truth of the matter is the seasoned musician sometimes know good sound better than anyone, and that is why many of them end up picking up the hat of a producer or engineer. If you are serious about your craft you eventually will go down the road of sculpting your own sound. Now one might think how serious of a musician am I if I am singing through a $200 unit? I am a seasoned singer that knows you do not need to buy expensive equipment to always sound good, and I am also a seasoned singer that knows that some engineers are so bad at theirs jobs that I can make a $200 unit sound better that them. What good is that you have Lexicons, TC Electronics, and you don't know how to use it professionally? I am by no way saying that this unit can compete with the higher end products I have mentioned in the last sentence. The unit sounds very good if you know how to use it. The main key is use the FX sparingly and tastefully, and experiment with the EQ to make it work for you.
By Steven Hinkle (Loveland, OH, US)
This effects processor is great. I also use it with my guitar. It's like having 40 pedals in one.
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