Showing posts with label vocal. Show all posts
Showing posts with label vocal. Show all posts

Samson C03 Dual-Diaphragm Vocal Condenser Microphone with Case and Swivel Mount

14.6.11

Buy Cheap Samson C03 Dual-Diaphragm Vocal Condenser Microphone with Case and Swivel Mount


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The dual-diaphragm Samson CO3 has all the performance features that you demand from a large diaphragm studio condenser microphone. Capture your vocals with rich, warm bass and an extended top end. For instruments you will notice a detailed and transparent response throughout the frequency range with absolutely no harshness. Because of the excellent transient response and the ability to handle extremely hot SPL levels, the CO3 is a great additon to your studio. Plus the capability of switchable SuperCardioid/Omni/Figure-8 polar patterns. Designed for recording your best vocals and acoustic instruments, the C03 is also great as an overhead drum or piano mic. The CO3 features a swivel stand mount, a LED phantom power indicator, and a gold plated XLR connector. Requires 48-volt phantom power.
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Technical Details

- Switchable SuperCardioid, Omni and figure-8 pickup patterns
- Dual 19mm capsule design
- Switchable high-pass filter and 10dB pad
- Gold-plated XLR connectors
- Carry Case & swivel mount included
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Shure SM7B Dynamic Vocal Microphone

5.12.10

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The Shure SM7B Dynamic Vocal Microphone is a cardioid studio mic with a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications.The SM7B features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications. The SM7B Includes a foam winscreen, close-talk windscreen, and a locking yoke mount.Shure SM7B Features:Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speechBass rolloff and mid-range emphasis (presence boost) controls with graphic display of response settingImproved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitorsInternalair suspensionshock isolation virtually eliminates mechanical noise transmissionHighly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narrationNow shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocalsYoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone positionClassic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis soundRugged construction and excellent cartridge protection for outstanding reliabilityReplacement cartridge: RPM106
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Technical Details

- Type: Dynamic
- Frequency Response: 50 to 20,000 Hz
- Polar Pattern: Cardioid (unidirectional)
- Switches: Bass rolloff and mid-range emphasis: Slotted response selector switches. See Figure 3 in U
- Swivel Assembly: Integrated, captive nut for ease of attachment to stand, fits 5/8 in.-27 thread.
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Electro Voice ND767A Dynamic Vocal Microphone

26.11.10

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The Electro Voice ND767a is one of the finest pro dynamic stage vocal mics you will find.EV's famous clean, clear N/Dym sound quality has been fine-tuned to deliver their most accurate bass response ever. By tailoring the proximity effect (an increase in bass response as you move closer to the mic) with EV's Vocally Optimized Bass (VOB) technology, your vocals cut through the mix even more clearly. The 767a's high output and supercardioid polar pattern work together to practically eliminate feedback. Includes zippered gig bag and stand mount adapter.Designed specifically for lead vocalistsIdeal for both live performance and in the recording studioLarge diaphragm N/DYM transducer for condenser-like sensitivity and frequency responseSuperior multistage shock mount for unmatched low handling noiseThe Electro-Voice N/D767, part of a new generation of N/DYM microphones, is designed for live performance or studio vocal recording. The N/D767 has been manufactured with refinements which enhance the sonic smoothness, improve gain-before-feedback and provide consistent performance with greater durability than earlier generations of N/DYM microphones. EV's microphone designers fashioned into the N/D767 a smooth, extended frequency response with a gentle rise in the mid-frequencies for the optimum vocal clarity found in studio- quality microphones. The N/D767 also features an outstanding neodymium-iron-boron magnetic structure that provides greater sensitivity and exceptional signal-to-noise ratio for improved recording quality. These features make the N/D767 the microphone of choice for the discriminating vocalist who demands a product that delivers studio-quality performance with a warm richness that enhances the voice.The N/D767 features a highly effective humbucking coil is also used to cancel hum interference from lighting and other power sources.N/DYM microphones
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Technical Details

- Clean, clear N/Dym sound quality has been fine-tuned for EV's most accurate bass response ever
- Designed specifically for lead vocalist
- Ideal for both live performance and in the recording studio
- Large diaphragm N/DYM transducer for condenser-like sensitivity and frequency response
- Superior multistage shock mount for unmatched low handling noise
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Audio Technica ST90MKII Dynamic Vocal Microphone (3 Pack with Boom Stands, Cables and Clips)

Buy Cheap Audio Technica ST90MKII Dynamic Vocal Microphone (3 Pack with Boom Stands, Cables and Clips)


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The Audio Technica ST90mkII Microphone delivers maximum bang for your buck and now, our package special makes it an even better deal!Get your new mic, complete with a tripod boom stands, mic holder and cable at a special low price. The ST90mkII is first and foremost a performance vocal mic. It features an On-Off switch, plus it's a dynamic mic so it needs no phantom power - you can use it with just about any mixer or recorder. This is a great choice for schools and other institutions.
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Technical Details

- A performance vocal mic
- On-Off switch
- It's a dynamic mic so it needs no phantom power
- A great choice for live vocal performance
- 3 Pack with Boom Stands, Cables and Clips
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Sennheiser e835 Dynamic Vocal Microphone (3 Pack)

11.8.10

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The Sennheiser e835 Dynamic Vocal Microphone; A top selling mic for lead vocalsThe e835 is a quality vocal mic with performance and build characteristics never before available at this price. The e835 utilizes a cardioid pick-up pattern providing good signal isolation and feedback rejection, enabling higher sound levels to be obtained. Metal construction and internal shock-mount system minimizes handling noise. Designed as a lead vocal stage mic, the e853 performs under pressure.Available here in two separate packages:A mic, cable and stand package that includes a tripod boom stand and 21ft mic cable.- or -A 3 microphone package that offers 3 e835s with great savings.Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass end performance when singing closer to or further from capsule.
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Technical Details

- A quality vocal mic with performance and build characteristics never before available at this price
- Uniform frequency pick-up pattern maintains signal quality when moving on and off axis
- Gentle presence boost to even tonal response ensures clarity and projection
- Minimal proximity effect provides consistently clear bass end performance
- Available here in a 3 pack!
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Customer Buzz
 "Great product with clean sound" 2010-05-17
By Allan Isaac (St.Kitts and Nevis, Caribbean Islands)
I find this product to be very clear with no feedback at all. Singers love them, as we bought two sets (sin in all).

May be able to see our team in the archives at [...]. Best, Rivers Live (May 16, 2010).

Customer Buzz
 "Senheiser e835 Microphone" 2010-03-15
By Rick Wine (Clancy, Montana)
Excellent microphone, very quiet (nearly no handling noise), great response, excellent feedback rejection, and road worthy. Very little proximity effect, so, this takes getting used to, if you expect a bass enhancement by closing in on the mic. A little heavier than an SM-58. The three pack makes this a very good deal. These are excellent in our church (instrument-violin, guitar, flute - as well as vocal use), and at gigs (acoustic guitar, mando, and vocal). All around fine microphone. I was dissappointed that there was no documentation with the mic's; the mics were very well packed in a special foam box, including mic clips and mic pouches.

Customer Buzz
 "Always good!" 2010-02-09
By Willie Merrill (tejas)
Can't go wrong with these! NOT MD 46's (industry standard, but handy in my TV bag.

Customer Buzz
 "Warm Bright Sound - Great Price" 2008-10-27
By S. Cea (Los Angeles)
I I tested the Audix OM2, the Shure SM58, and the Sennheiser e835 as all were in my price range. I loved the sound of this mic. It was rich, bright, and was not dry like the SM58. I ended up buying the Audix for my Karaoke Business (given the drunk nature of karaoke-ers!) and I bought this 3 Pack for my Dad's Church. They are currently using these mics anyways so a 3 pack was a no brainer. We found a store that sold the mic such that we got 3 for the price of 2. I was pleased. Given the presence this mic gives when spoken into it was easy to purchase this mic. I highly recommend it over both the Audix and Shure. I tested these mics right next to each other and you could tell the difference. It was very noticable. The 835 was the best sounding, and the Audix was pretty sweet too. and for the price. i was sold!

Customer Buzz
 "Even great for podcasting" 2008-05-01
By Christopher
Hi there, I'm currently using a single Sennheiser e835 Dynamic microphone. It delivers professional quality sound. Now when you hear that, your thinking... it means whatever your mind wants it to mean. Basically when i say its got professional quality, i mean.. it'll suite you... for whatever you have to record. It does an amazing job for my podcasting studio delivering great variance between highs and lows. As long as your between 1-4 inches from the mic you will get amazing quality sound, everything outside that will be ignored. I often times have my tv going, my music playing or i'm having a conversation at the same time as having a podcast, and all i have to do is move the mic away from my mouth. The 10 year warrenty is very good, and the construction of this microphone screams nothing but quality. The Shure Sm57 and 58 havn't been changed since.. *cough* 1957 and 1958. In these last 40-50 years we've come up with a lot of better tech to go into a mic, this microphone hosts some of that. The cage on top is also much more durable than the Shure models. I believe i'll be happy to have this microphone for 10+ years.


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Tascam CD-VT2 CD Vocal and Instrument Trainer

3.7.10

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The Tascam CDVT2 gives singers and instrumentalist like woodwind, brass, and string players the ability to slow down the speed of a CD without changing the pitch. The CDVT2 allows any artist, musician, student, or music teacher to practice, learn and teach vocal harmonies, fast rap passages and complex melodies from their favorite music. With its ultra-compact design and new functionality, the new CDVT2 trainer from Tascam is the most user-friendly trainer ever. The new CDVT2 Vocal/instrument trainer completes Tascam's all-new lineup of trainers for the musician, student, teacher and artist on the go. The new CDVT2 Vocal/instrument trainer features an all new improved ultra compact design, comprehensive LCD display with graphical user interface, Album title/Track title indication by CD-Text, expanded effect banks for user preset, chromatic tuner, and Tascam's pioneering VSA (Variable Speed Audition, pitch control without affecting key) feature lets music fans learn up a continuous mix of their favorite songs anywhere they go. With Tascam's legendary ease of use, original features such as integrated pitch and key control, vocal canceller with selectable canceling pan point and selectable frequency range, and seamless integration with CD-DA/CD-R/CD-RW disc playback. Users can now discover the performance their favorite artist really played.
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Technical Details

- Portable CD Music/Vocal trainer (More compact than previous CD-VT1MKII)
- CD-DA/CD-R/CD-RW disc playback
- 10 second anti-shock memory
- Album title/Track title indication by CD-Text
- Single Loop, All Loop, and Seamless IN-OUT Loop
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Customer Buzz
 "Vocal trainer." 2010-06-06
By Dr. Mike S (NJ)
This item is OK, but certainly has its limits. You must purchase the "more-expensive" battery eliminator as well, unless you own a battery factory.

Customer Buzz
 "Tascam review" 2009-04-20
By Suzuki Lady (Indiana)
I use this with my students to play sections of pieces at a slower tempo. Slow practice equals fast progress and this machine helps keep the students from practicing too fast.

Customer Buzz
 "Barely plays faster than normal" 2009-02-18
By Fair review (san francisco)
Bought this item mainly to listen to music/spoken word faster than normal. The variable speed is not very variable if you want to go faster. It only will go 16% faster. For me it was a big waste of money. On any computer you can buy a program (the amazing slow downer for example) that will cost a fraction of the cost and play 300% faster, not 16%. It will go 50% slower, so if you just want to go slow it might be ok. Also it eats 4 double a batteries like they were popcorn, and the charger that was sent as recommend was the wrong voltage. It needs a 5v adapter. The quality of the sound is decent.

Customer Buzz
 "Exceeds expectations" 2009-02-05
By J. Paulson
Compact and easy to use with outstanding features. Match with a Tascam PSP520 power supply (don't be enticed by the lower priced adapter as it does not match the voltage requirements of this unit) and a couple of inexpensive, powered speakers and you've got the perfect instrument trainer. Carve out that 18 second instrumental in the middle of a CD recording, slow it down, and loop it endlessly and you'll finally figure out that solo that's eluded you for so long. Fun and functional.

Customer Buzz
 "This Is Great For What It Was Made For" 2008-08-19
By monkuboy (Temple City, CA United States)
Not everyone has a need for this but if you do, it works very well. It plays a CD well enough although if that's all you need then don't buy this. What it does well is it can either speed or slow the tempo of what is on the CD without changing the pitch, or it can change the pitch of what is on the CD without changing the tempo. It also acts as a tuner. And, it can remove center channel vocals if you want to just hear the music portion of what is on the CD.



Regarding the tempo and pitch change, it executes these tasks flawlessly.



Regarding the vocal elimination, it removes the vocals satisfactorily. I don't think any machine can do a perfect job because there's too many hitches inherent in the recording, but this one does a good enough job so that the vocals are faint enough for someone to sing over and not compete with them.



Build quality is good - it is part of the Teac company and they make quality stuff. I bought a separate power transformer for this unit so I didn't have to worry about batteries, so I have no comments regarding how long the batteries last.



The controls and functions are neatly laid out on the panel and are easy to use. The instruction book is easy to follow. This product does what I bought it for very well so I am happy with it.






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DigiTech Vocal 300 Vocal Multi-Effects Processor

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DigiTech®'s Vocal 300 is an affordable Vocal Effects Processor with a built-in expression pedal. Equipped with multiple mic preamp types, the Vocal 300 is ideal for both warm classic vocals or cutting edge distortion and lo-fi styles. The exclusive voice "characters" transform your voice from the scariest of monsters to spacey alien beings. The Vocal 300 comes with 38 fully programmable studio quality effects (up to 7 effects at once). The built-in expression pedal can be assigned to control your choice of up to 3 parameters in real-time. Each effect includes up to 4 adjustable parameters, giving you total flexibility to create the sound you want. The 6 character alphanumeric and 2 character numeric displays, combined with the 4-knob matrix editing system, provide a simple straightforward user interface. The Vocal 300 also includes 40 great sounding Factory Presets and 40 User Presets for your own custom creations. The rear panel features a 1/8" CD input for singing along with your favorite music, a 1/4" unbalanced input, a balanced XLR input, a balanced XLR mono output, a 1/4" TRS stereo line output and a 1/8" headphone output.
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Technical Details

- 7 Effects at Once
- Balanced XLR Input and Outputs, 1/4" TRS Stereo Line Output, Line Input
- Built-in expression pedal
- 40 User, 40 Factory Presets
- Power Supply Included
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Customer Buzz
 "The Purple Magic Box" 2010-04-28
By L. Stillwater (Florida)
I have used this gear live for more than 100 gigs. So I feel qualified to say something about this FX processor. Let me get the negative out of the way. It has a lot of effects, but there are only a small handful that is useful for a serious singer. Most of the 40 presets are down right amateurish. Presets such as Chipmunks, Cyborg, and Martian might be good if you are using it for a comedy act, but otherwise than that are useless. It also has feedback issues. After three years the pedal no longer works. I do not know exactly the technical issue of that. Maybe it's an easy fix, but I do not use the pedal much anyway. If you are a professional musician and took one look at the purple box, and fool around with it for 20 minutes you might be discouraged, and automatically you label this gear as a toy marketed to garage kids. Now the question is this. If mine got stolen would I buy another one? The answer is YES!



Let me explain why and go on with the positive points. The small handful effects are worth the price. There are a few reverbs, delay, and pre amps that are pretty good. Not to mention that the de-esser is beneficial. With a little bit of time and experimentation you can find a setting that can prevent and minimize the feedback issue. The key is in the EQ, and also knowing the position of the gain knob, since the gain can be very hot at just 25%. The other key of making this gear shine is to know what kind of microphone you are going to use. If you use a Shure Sm58 microphone it won't be that hard to adjust, but if you are going to plug a higher end dynamic microphone you might have a more problems with feedback cause of a hotter signal, and you would have to readjust the whole setting. So my advice is to choose one microphone you constantly going to use whether a standard SM58 or a high end microphone, and stick with it with your adjusted level. After you use the handful effects that sound good to your ear, and mess around with the EQ that compliments your voice. Then save that preset. You can that afterwards assign your pedal as a wet/dry effect controller or a programmed millisecond delay you might have for a song, or simply use it as a volume pedal. For a long time singers did not have control over their effects as guitarist, and the DigiTech Vocal 300 was one of the first stomp processors available for vocalists. In recent years I have tested the TC Helicon Voice Tone pedals and I've tried them and I thought that they fell short for what I wanted to do. The DigiTech Vocal 300 is the only one it's price range that offers FX, EQ, Pre-Amp, De-Esser all in a box. It's a metal chassis. No to mention that you can put 7 effects all it once.



Conclusion: As years go by I am marveled that this DigiTech purple box is still being sold in music stores and that DigiTech company still puts them out. I have used this gear successfully in certain situations and obviously abandoned it when I am playing in festivals or a large venue, but have on occasion use it in a large venue despite that their was a sound man available, because I did not trust his mix by listening how the previous band sounded vocally. This is the whole reason of why I thought that a stomp effects unit was needed even before the Vocal 300 came out. After working with so many "graduated" mix engineers in a live situation over the years I am perplexed of how the majority of them are really bad at their jobs. They turn knobs like scientists and pretend in their stoic manner as if they know what a good sound is. The truth of the matter is the seasoned musician sometimes know good sound better than anyone, and that is why many of them end up picking up the hat of a producer or engineer. If you are serious about your craft you eventually will go down the road of sculpting your own sound. Now one might think how serious of a musician am I if I am singing through a $200 unit? I am a seasoned singer that knows you do not need to buy expensive equipment to always sound good, and I am also a seasoned singer that knows that some engineers are so bad at theirs jobs that I can make a $200 unit sound better that them. What good is that you have Lexicons, TC Electronics, and you don't know how to use it professionally? I am by no way saying that this unit can compete with the higher end products I have mentioned in the last sentence. The unit sounds very good if you know how to use it. The main key is use the FX sparingly and tastefully, and experiment with the EQ to make it work for you.

Customer Buzz
 "Great product @ a great price." 2010-03-16
By Steven Hinkle (Loveland, OH, US)
This effects processor is great. I also use it with my guitar. It's like having 40 pedals in one.


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Samson C01 Large Diaphragm Vocal Condenser Microphone

3.6.10

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The Samson C01 has all the performance features that you demand from a large diaphragm studio condenser mic - and a knockout price! The Samson C01 is great for recording vocals, acoustic instruments and for use as overhead drum mics. The C01 large diaphragm condenser microphone is accurate, detailed, smooth with warm bass and extended top end. This sturdy microphone has a large 19mm diaphragm that produces a smooth flat frequency response. It features a heavy gauge mesh grill screen, a gold plated XLR connecter and an LED indicating 48V phantom power. The unit includes a swivel stand mount.
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Technical Details

- Cardioid Pickup Pattern
- Large 19mm Diaphragm
- Heavy Gauge Mesh Grill
- Gold Plated XLR Connector
- LED Indicates 48V Phantom Power
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Customer Buzz
 "nice mic for the money" 2010-05-02
By DanTheMan (CA, USA)
I'm sure there are better mics out there, but I haven't used one. This mic is clear and sounds great. I'd recommend it to anyone doing recording at home. It seems well made as well.

Customer Buzz
 "The proof is in the pudding." 2009-04-08
By Jason Russo
A very affordable mic that made a tremendous difference in my sound. I can't really put into words how happy I am with this product.

This song was recorded using the C01:

[...]


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Rode NT1A Anniversary Vocal Condenser Microphone (Includes NT1A, Premium Shock Mount, Pop Filter, 20

30.4.10

Buy Cheap Rode NT1A Anniversary Vocal Condenser Microphone (Includes NT1A, Premium Shock Mount, Pop Filter, 20


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The RODE NT1A raises the bar for value-priced mics! The NT1A Anniversary Model is a complete redesign of the now legendary NT1 classic studio microphone. From the new nickel plated body to the state of the art surface mount electronic circuitry, the NT1A will leave you asking 'how can RODE offer a microphone that sounds this good, for so little money'? The RØDE NT1A, Winner of the Electronic Musician 2004 Editor's Choice Award and the world's quietest studio condenser microphone. This redesigned version of RØDE's classic NT1 has only 5 dBA of self-noise. The NT1A Anniversary model includes a premium shockmount with integrated pop filter, high quality 6m (20) XLR cable, microphone dust cover and even a bonus instructional DVD. Presented by RØDE founder and company president, Peter Freedman, the NT1A Studio Secrets DVD features a range of tips and techniques to help NT1A owners get the most from their new microphone. AC_FL_RunContent( 'codebase','http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,28,0','width','330','height','220','title','Rode NT1A Vocal Condenser Microphone','src','http://www.americanmusical.com/ItemFiles/Flash/RodeNT1A','quality','high','pluginspage','http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash','movie','http://www.americanmusical.com/ItemFiles/Flash/RodeNT1A' ); //end AC code Readmore

Technical Details

- Acoustic Principle: Externally polarized 1 inch condenser with gold-plated membrane
- Active Electronics: JFET impedance converter with bipolar output buffer.
- Pickup Pattern: Cardioid
- Ultra-low noise transformerless circuitry
- Includes - Large-diaphragm Condenser Microphone with Popshield, Shockmount and XLR Cable
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Customer Buzz
 "Awesome Mic For Amazing Value" 2010-04-15
By R. Byrnes (Planet Xenon)
This microphone exceeded my expectations. It sounds warm, clear, and crisp. For only $229, you can't possibly beat it. This microphone can compete well with microphones at a much higher price range. Ever since I got this mic, my hip hop vocals have skyrocketed in quality, because now the vocal quality is professional sounding. I don't even have to add EQ to the vocals I record with this bad boy (unless I was trying to make it sound a very specific way, but normally adding EQ to the vocals from this mic would be like selling yourself short...), all I need to do is add compression and a reverb, and it sounds really good. I tried rapping into this mic without the pop filter, and surprisingly, the plosives didn't show up as much as I thought they would. It will happen, no doubt, but I was just surprised at how much harder it is to get them to show up. You can scream into this mic, you can speak very softly, you can make your voice sound any way you wish, and it will pick it up pretty much exactly like you actually sound... except with an added smoothness and warmth (though, I would not say as warm as a good tube mic, like the Rode K2 or Rode NTK).



No, it doesn't allow you to utilize multiple polar patterns, it is strictly cardioid. That's why this microphone is best for vocals. I would say that would be one downfall of this mic. But geez, it only costs $229... how could you possibly go wrong? If you're starting up your own home studio, this is a must buy. Don't go with those cheap USB powered microphones... they're not good for vocals or anything except talking on skype and podcasting. The Rode NT1-A is an exceptional mic, and the value cannot be beaten.



You can register your microphone at the Rode website to get a 10 year warranty on it... for free. A free 10 year warranty on an awesome microphone, to protect your investment.



The pop filter it comes with is good. It has never allowed any plosives through. Before you even hook it up, you can test it by blowing through one side and putting your hand on the other. You will barely feel the air coming through. The shockmount ain't bad, it does the job.



Do not drop this mic, as condenser mics are very fragile. Also, they are very prone to moisture and dust. So make sure you have it set up in a relatively dry room. Always remember to put that dust cover over it when it's not in use.



If you are thinking about getting this mic... stop thinking about it, and get it! You will NOT be disappointed. You will be impressed.



If you're an amateur like me, and you are building a home studio... people will see this mic and KNOW you are getting serious about your music.



5+ out of 5 for value and quality.



Peace.

Customer Buzz
 "Excellent Mic!" 2010-03-22
By Kristen Negus
A great mic, has excellent sound, and clarity. I would recommend this mic to anyone, whether recording on your own or in a studio.

Customer Buzz
 "The Mic I've Been Looking For" 2009-12-16
By kinojay33
I'm a musician who is starting to move more into a producer role as well, and I needed a good vocal mic for the studio. Previously I was doing all of my vocals with a Shure SM57, which is a great mic but it is very directional and necessitates a lot of preamping, which tended to make it pretty noisy for picking up softer vocals.



I'd heard a lot of positive hype about the NT1A and claims of it being the "quietest mic in the market". I was very much surprised by the low-cost and comparisons to microphones in a much higher price range, so I picked one up figuring that if it didn't live up to the claims, I'd return it and buy a more expensive mic.



I didn't return it. And I don't ever see myself selling it either.



Quite simply, this mic is amazing. I plugged it in direct to Roland 24-track digital workstation and cranked the gain all the way to 10. Not even a touch of hiss. This never happened with my SM57, and I always attributed the hiss to weak preamps in the Roland. Guess not. The pickup on the NT1A is incredible, to the extent that I had to remove a small clock on the far wall because I could hear the second hand ticking. This wasn't audible to the naked human ear until you literally put your ear on the clock. I even had to add a couple throw rugs in the studio under the mic area because I could hear the carpet pad connecting with the cement floor. Amazing.



The mic sounds nice direct, but I typically run it through a good tube preamp and the sound is warm and pristine, with the only noise coming from the preamp. I've recorded everything from dreampop to industrial screaming and this mic handles it all.



Only complaint--with the exception of the XLR cable that came with it, I've had issues getting other cables to connect to the NT1A. The cables don't lock into the mic like they do on my other mics, and only a couple of occasions I lost connection briefly during a take. I'm guessing this is probably just a freak design flaw with mine, because I haven't heard this complaint from anyone else.



Regardless, incredible mic that that is worth every penny, and probably actually worth many tens of thousands of pennies more.


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