DigiTech RP50 Digital Amp Modeling Effect Unit

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The RP50 delivers award-winning amp, cabinet and pick-up modeling, as well as an arsenal of studio-quality effects in compact pedal. It uses DigiTech's AudioDNA DSP chip to ensure that both modeling and effects are world-class, plus 24-bit A/D/A conversion so that no frequency response is lost between inputs and outputs. The RP50 includes a drum machine with 30 patterns and an easy-to-use 13-LED array tuner. Includes power supply. Highlights 20 effects - Use up to 8 effects at a time Effects include: Programmable EQ; Delay (mono and ping pong); Auto Wah; Chorus; Compressor; Flanger; Phaser; Tremolo; Vibrato; Rotary Speaker; Pitch Shift; Whammy; Auto Ya? 11 Classic Amp Models Cabinet, acoustic guitar and pickup models 40 factory and 40 user presets Expression pedal input Stereo output doubles as a headphone jack Chromatic tuner with user friendly LED array
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Technical Details

- Realistic amp and cabinet models
- 11 amp models
- Cab and acoustic modeling
- Studio-quality effects
- Built-in tuner features an arc array of 13 LEDs
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Alesis MICRON Analog Modeling Synthesizer

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The Alesis Micron is a powerful, 8-voice Analog Modeling synthesizer based on the award-winning sound engine of the larger Alesis Ion in a compact 3-octave keyboard offering breakthrough analog realism, high-resolution control, and tremendous value. The Micron is compatible with Ion programs and holds over 1,000 programs and multitimbral setups. The Micron's front-panel interface is streamlined to give you full access to its Analog Modeling power while meeting the demanding requirements of real-time performance. Not only synth patches but melodic patterns and drum beats also are available to you in most cases simply by pressing a button and turning a knob. You can create sophisticated rhythms combining up to ten different sounds. You can create really rich setups combining as many as 26 different programs with anywhere from 0 to 26 different rhythms, all simultaneously active. The Micron offers continuously variable wave shapes, plus sync and FM synthesis. 16 filter types are included, along with 2 LFOs with multiple wave shapes and sample & hold. The Micron has 8-voice polyphony with 3 oscillators per voice, and is 4-part multitimbral. The Micron offers a programmable step sequencer, arpeggiator, rhythm sequencer for drum kits, and dynamic realtime phrase sequencer-all of which sync to MIDI clock. A powerful and intuitive modulation matrix is built in. Effects include a 40 band vocoder that does not use up any polyphony, 4 drive effects, and stereo bus effects, including reverb. Developed by the same sound design team that programmed the flagship Andromeda synthesizer, the Micron's presets cover a variety of genres, including many exciting new tonalities, as well as classic synth emulations. Ion programs can be transferred to and from the Micron via MIDI, and more new sounds will also be available from the Alesis website. This is an exciting time for analog-style synthesizers. After a period of relative neglect brought on by the appearance.
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Technical Details

- Industry-leading Ion analog-modeling sound engine in a compact package
- 8 voices, each with 3 oscillators, 2 multimode filters, 3 envelope generators, 2 LFOs, sample and hold, and tracking generator
- 4 multi-timbral parts
- Programmable step sequencer and arpeggiator
- Dynamic real-time phrase sequencer
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DigiTech RP255 Modeling Guitar Processor and USB Recording Interface

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Gig, practice and compose. The RP255 guitar multi-effect processor gives you 94 amps, cabinets, stompboxes, and effects allowing you to get virtually any sound you want, just like the pros. With USB streaming audio and Cubase LE4, the RP255 allows you to easily record directly to your computer with sounds so good people will think that your song was recorded in a major studio. No compromises.
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Technical Details

- Built-20 Second Looper
- 94 Amps, cabinets, stompboxes and effects
- Built-In wah, whammy and volume pedal
- USB Audio Streaming for computer recording
- 60 High-Quality drum patterns
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DigiTech RP355 Modeling Guitar Processor and USB Recording Interface

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Gig, practice and compose. The RP355 guitar multi-effect processor gives you 126 amps, cabinets, stompboxes, and effects allowing you to get virtually any sound you want, just like the pros. With USB streaming audio and Cubase LE4, the RP355 allows you to easily record directly to your computer with sounds so good people will think that your song was recorded in a major studio. No compromises.
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Technical Details

- Built-20 Second Looper
- 126 Amps, Cabinets, Stompboxes and Effects
- Built-In wah, whammy and volume pedal
- USB Audio Streaming for computer recording
- 60 High-Quality drum patterns
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 "Great Pedal for the price" 2009-12-27
By Leon H. Hartsock (Tampa)
I use to own an RP100 and I paid $199 dollars for it back in 2003 or so. This RP355 I paid $199 today and it offers so much more and sounds a lot better as well. The effects sound excellent. The build seems good and sturdy as well. This unit really caught my eye because of the 20 second looper. It is very easy to use. There is no other unity out there for this price that offers a basic looper like this in a great sounding effects pedal. My only gripe is that it only loops for 20 seconds. I wish that would have made it at least long enough for 16 bars. I would not buy this pedal if your looking for a dedicated loop pedal but if your looking for a very good multi effects pedal then the Loop feature is an added bonus.

 "- JUST ONE COMPLAIN... -" 2009-12-21
By RADA (VENEZUELA)
The product seems to work fine, but the manual is nor friendly at all. I have had to guess many things (and I am still doing it), in order to get to the function I am looking for. I rather prefer a "dummies manual", so any one can follow it (I am an Electrical Engineer, so you can imagen how it's get to be for the average user).



A.D.-

 "Great pedal that can do everything." 2009-08-30
By A. Gilman (Los Angeles, CA)
I bought this pedal to upgrade from a Digitech RP50. I wanted the USB output for recording and the built in expression pedal. This pedal far exceeded my expectations. It sounds 100 times better then the RP50 and has so many more features. I especially like the 20 sec. looper. and the enclosed Cubase recording software. The software has a bit of a learning curve, but once you get it configured correctly, it works great. I am a amateur musician and just wanted a all in one effects pedal with recording functions. This pedal can emulate almost any setup without having all the individual pedals and cords that accompany them. Do yourself a favor and get this pedal, it will breath new life into your music.

 "Great value!" 2009-07-06
By David Lamkins (Portland, OR)
I'd been using an RP350 for over a year before buying an RP355 for the added stomp-switch mode and 20-second looper.



The looper is simple, without undo or a means of controlling volume. Simplicity can be a plus for live performance, though. I did a solo improv performance after only 20 minutes of practice with the RP350. I've had more complex loopers that never got used due to the steep learning curve and higher probability of making mistakes.



The stomp-switch mode is a welcome addition, eliminating the need to sequence multiple patches in order to get different effect combinations. Unlike switching patches, there's no latency in turning an effect on or off.



The tuner is improved, being much less jittery than on the RP350.



The RP355 has nine new amp models and a ring modulator effect not present in the RP350. Some of the presets are different. As on the RP350, there are bound to be a few presets that'll satisfy most players, regardless of musical preference.



The RP355 sounds as good as the RP350, which is to say: great! Modelers work best in front of a full-range amplifier. I always play through a PA. I use a compact PA at home. When I play out I simply plug the RP355 into the venue's stage snake via the built-in DI.



I'm a former user of high-quality tube amps and boutique pedals who switched to modelers at the beginning of 2007; I've had no regrets. I've owned and auditioned more expensive modelers; the RP355 offers a desirable balance of features and simplicity at a very affordable price while not giving up much (if anything) to the high-end modelers in terms of sonic quality.


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Behringer GM108 True Analog Modeling 15-Watt Guitar Amplifier

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True Analog Modeling 15-Watt Guitar Amp with 8" Speaker
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Technical Details

- Original 20-Watt vintage-design guitar speaker
- Wide-range drive control for super-fat sounds with any pickup types
- Dedicated 3-band EQ and master level control
- CD input allows you to play along with your favorite music
- Powerful headphone output with speaker simulation
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 "Poor quality even for practice." 2010-01-25
By Randall Laclaire (New York State)
As far as construction goes, this appeared to have been built solidly. The design itself looked quite nice and the features were easy to use. Unfortunately, even as a practice amp goes, this one is poor at best. I've been playing guitars for nearly 30 years. I've had everything from 5 watt battery powered amps to stage amps. I received this package today, 1/25/10. I removed it from the box, set up, and did what any good musician does: I tried it with no effects, no pre-amps, and nothing inline. Just a clean guitar to amp connection. At volume settings below 5 it played nice and clean. Once you hit 5 or higher, it breaks up (more as you increase the volume). It begins as a light fuzz at five, and turns to a crackle by 10. It's rated at 15 watts power and has an 8" 30w minimum rated speaker with a max rating of 125 watts. While this makes it durable, it also limits sound. I'm guessing that the speaker is actually too much for the amp circuit to drive, but I could be wrong. Sadly, my son's 10 watt fender squier practice amp overpowered this amp. With the Behringer set to 10 on the main volume and 10 on the drive, the little tiny Squier 10 watt amp overpowered it while the Squier was set to 3, without the drive on.



To make matters worse, I could actually talk more loudly than the amp. Granted, this is only a practice amp and it really should not be able to rattle the windows, and that is fine. But it should be able to at least keep up with a 10 watt amp. My son likes to play with me, and I was hoping that this would make a nice match for his practice amp so I wouldn't have to ramp down all my equipment to keep him in hearing range. Unfortunately (again) this amp wasn't even able to do that.



I then tested this with my most basic pedals, and then eventually with my RP350 multi-effects pedal. ANY type of effect I tried simply caused the speaker to give up the ghost. The speaker is so unresponsive that distortion caused it to lose sounds left right and center. If I tried to play a simple blues solo, I'd lose about every other note due to the speaker not being able to keep up with the sounds being produced.



For this reason, I'd never recommend this amp to anyone but a child with a cheap guitar who can't play more than "Mary Had a Little Lamb." (And I don't mean SRV's version)



I didn't even bother to try it with my mic for vocals because there was simply no point.



If the company that produces it can get it to at least equal the power of most other 15 watt practice amps, they'll have a nice piece of equipment on their hands. The cabinet was solid, the controls worked smoothly, nothing was loose or rattling. It's actually very attractive looking. It has a "modern" feel to it with a more classic look.

 "Bang for the buck!" 2010-01-09
By T. Fritts
At only $60 I was a little apprehensive about this amp, but decided to give it a try. A local music store owner offered that if I weren't satisfied, he'd take the value of it out of the cost of an amp I've had my eye on in his shop.



It will not be needed! This amp is a little shocker! My Strat Clone sounds downright sexy through this thing. And, small small changes in the settings make a difference with this one! With a similarly priced amp in the shop, it had to have big changes in settings to make small differences. With the Behr, the change of going from 2 to halfway between 2 and 3 gives a little change. Sensitivity is not an issue at all.



It also feels quite durable. I wouldn't throw it off a building, but it should tolerate being chucked in the back seat of the car for a jam at a friends house. And, if loud is your thing, then it should suit you nicely. I've already gotten it loud enough to get a grouchy phone call from my neighbor. ;) On the mellow settings it gives good, and when the switches are set to the Calif/Hot setting, it still works great!



For $60 at this level of quality, it's one of the best deals I've gotten off Amazon!

 "Great for practicing at home" 2009-12-30
By Terrell G. Lewis (Augusta, GA)
Granted I went from a 10 year old squire amp to this behringer amp, but the sound quality is much better. This is a very basic practice amp, but I like the sound options that is has. I would recommend this for people practicing at their home, but definitely not if you plan to play out anywhere.

 "Good for just starting" 2009-10-19
By J. Vuocolo (Philadelphia, PA)
Right now i absolutely hate this amp, like i want to just through it out the window of my house. But that is because i am actually some what good at guitar now. When i bought it i had no idea how to play, or even how distortion worked. So when i got it i thought it was really cool with how it had presets for different sounds, but right now i want an amp that i can fool around with a bit more. So my suggestion is get it but get rid of it in a year, cuz thats how long it took for my to blow out. But it is great for just starting.

 "Great inexpensive practice amp" 2009-08-01
By Shreddin' Mike (San Francisco, CA United States)
Like others here it's been years since I've really played my old electric guitar. Plugged it in to my old Ampeg amp and found it was dead after years of abuse then neglect. The other reviews on this really do reflect fact, so this review can't really add much - this is a great-sounding little practice amp! Better than my Ampeg ever was! It does have a bit of a hum but then the noise of my strat overwhelms that - need humbuckers I guess. The different distortion effects combined with the gain and three tone controls are also fun to play with. As an added bonus it gets loud enough to annoy nearby neighbors! Heh heh...


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