Hosa STP803 4 Channel 1/4 TRS to Dual 1/4 TS Insert Snake 9.75 Ft

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The Hosa Cable Snake Insert Cable 1/4 Inch to 1/4 Inch is like getting four individual send-return cables in one easy to manage snake. Perfect for connecting four insert jacks at the console with the ins and outs of four outboard processors in your rack. One snake does it all! These snakes are for effects-loop wiring from a mixer's insert jacks. STP Series models are for connection to four outboard devices which have conventional 1/4 inch Phone jacks.
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Technical Details

- Easy to manage
- Connect 4 insert jacks
- 4 outboard porcessors in your rack
- One cable does it all
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VocoPro UHF-3205 UHF-Dual Channel Rechargeable Wireless Microphone System

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UHF Professional Wireless Mic System
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Technical Details

- 2 wireless rechargeable handheld mics included
- Included microphone charger charges both microphones at the same time
- Two unbalanced 1/4 inch mic outputs and one 1/4 inch mixed output
- Dual antennas provide clear signal reception
- Individual Volume controls for precise vocal balancing
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Radial ProD2 Passive 2 Channel Direct Box

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The Radial Pro D2 is a pro-quality compact stereo passive DI.Following in the footsteps of the JDI Duplex, the Radial Pro D2 is a high-quality compact passive 2-channel stereo direct box designed for keyboards, DJ equipment and guitars and priced to be attractive to regional sound companies and project studios. Exceptionally linear from 20Hz to 20kHz, the Pro D2 features two custom made transformers engineered to handle high levels without saturation.Radial Pro D2 FeaturesFull range passive direct boxesIsolation transformer eliminates noiseVery low harmonic and phase distortionCompact and rugged designIdeal for live sound and studioSince they introduced the Radial JDI back in 1996, customers have asked Radial to produce a more affordable passive direct box so that home studios, small sound companies and community centers can enjoy some of the benefits of using a JDI. The Radial JDI is very special in that it employs a $100 Jensen Audio Transformer as theenginethat performs the impedance conversion and the isolation. Radial searched high and low to find a more affordable alternative, but no matter how hard we looked, the quality was never close. The Jensen is truly perfect!This left them with only one choice: to have a custom-made transformer built to their specifications. Although not quite as good as the Jensen, this new proprietary transformer is light years ahead of the competition and features many of the attributes that makes the Jensen unique. The difference, however, is that now Radial can offer the ProDI and ProD2 direct boxs for less than half the price of the JDI and JDI Duplex!The Radial ProD2 features standard hi-Z inputs and thru-puts 1/4-inch connectors, -15dB input pads and ground-lift switches for each channel. The balanced output is 600 Ohm to interface with professional snake systems and consoles. All switche
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Technical Details

- Passive stereo direct boxDual proprietary transformer for impedance conversion and isolationLinear from 20Hz-18kHzLow distortion and zero phase distortionXLR input1/4" thru/input-15dB padGround liftProtective front panelHeavy-duty constructionBaked enamel finish600ohm balanced output3" x 5"
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DBX 166XL 2 Channel Compressor Limiter with Noise Gate

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Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 166XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts. When using the 166XL’s Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.The 166XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx V1 VCA to design in an extra-wide threshold range and ensure top gating performance for each application. Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the 166XL’s intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image—even with high amounts of compression, through True RMS Power Summing™. Professionals and newcomers alike will find that the 166XL sets up rapidly and musically the first time it is used, especially with the Auto attack and release function. Advanced applications are now easy, with the 166XL’s full sidechain functionality, and the ability to use either hard knee or OverEasy® compression algorithms. Add to this already impressive list of features the venerable PeakStop™ limiter, and you’ve got a strong finisher, every time.
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Technical Details

- Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
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Behringer DI20 Ultra-DI 2 Channel DI-Box Splitter

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Professional Active 2-Channel DI-Box/Splitter
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Technical Details

- Converts 2 separate unbalanced 1/4' TRS line inputs into 2 balanced XLR outputs
- Ultra-flexible: mono, 2-channel or stereo DI box operation with switchable Link mode
- Switchable input attenuation allows connection to outputs with up to 3,000 Watts
- Ground lift switch eliminates typical ground loop problems
- Phantom or 9 V battery powered
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 "Poor quality control - Two boxes of hiss" 2009-11-25
By M. Shipe
I've ordered and returned two of these DI boxes. In both situations, as soon as they were connected to the board, they emitted a loud, continuous static hiss, much too loud to be ignored in performance. I fortunately had two other direct boxes on hand to replace this two-channel direct box, and both of them worked just fine, so the problem is definitely with the box, not my other equipment.



Given that this has other good reviews, I'd say that they're not all like this. However, the fact that I was able to end up with two in a row that hissed like cats tells me that the quality control leaves something to be desired. Order at your own risk.

 "Good price" 2009-03-03
By S. Kippel (Palm Desert)
This is a good price for an active stereo DI. It has a lot of cool features as well. I like how it can be powered from the board or from the battery. You might want to use the board because the battery lid is hard to take off, and the battery doesn't fit too well in there either.

 "Great Value" 2008-10-23
By James N. Smock (Pottstown PA)
This direct box is a great value... two for one. I hesitated purchasing it but am very pleased with the results.


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VocoPro VHF-3300 2 Channel VHF Rechargeable Wireless Microphone System

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VHF Professional Wireless Mic System
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Technical Details

- Dual Antenna Receiver/Mic Recharger secures mics when not in use
- Squelch Circuitry to eliminate background noise and RF noise bursts
- Individual Volume controls for each mic channel allows precise vocal mixing
- Incredible operation range of up to 150 feet
- VHF-Band Quartz-Lock provides drift-free operation
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 "Works better than advertised" 2010-04-17
By Open Mind (Southern California)
I purchased this item to replace an older discontinued item (VocoPro VHF-35). The old system was hooked up to a PA system in a small auditorium. The old system used non-rechargeable 9-volt batteries, which needed frequent changing. This newer system not only uses rechargeable batteries, but surprised me with its superior sound quality. The manual states "An eight-hour charge will provide you with 1 to 2 hours of continuous wireless microphone use." In actual use, however, it lasts 3 to 4 or more hours (a definite plus!)

The only fault I have found is that the package contains "mounting brackets", but the manual does not state how or where to properly connect them. (Not a major drawback.)

 "Meet my expectations" 2008-11-21
By M. Naranjo (Miami, FL)
Meet my expectations, very good quality and sound, of course for a fun home karaoke. I don't give the fifth star because one of the 9v batteries (the regular square ones) after 6 hours of very intensive Karaoke singing runs out of power, nothing that you can not solve with a regular alkaline battery. I bought this one rather than other cheaper models, because of the mixed output, for me it was important because my equipment only has one input. Cheers!




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VocoPro UHF-5800 Professional 4 Channel UHF Wireless Microphone System

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UHF Professional Wireless Mic System
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Technical Details

- 4 Balanced XLR outputs, one unbalanced 1/4 inch mixed output
- 4 Handheld mics included
- Individual Volume controls for precise vocal balancing
- 4 independent Field-replaceable Modules (no need for tools)
- Interference-resistant UHF Band operation from 614 MHz - 694 MHz
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 "Great but just one problem for users inside the USA" 2010-02-13
By HMMWV (santa clara, CA USA)
UPDATE:



As for wireless mics I see amazon is cleaning up the 700 Mhz issue. Its disappointing because the FCC gave 100 Mhz of spectrum to ALL police departments nationwide - yet few have used it (maybe NJ, NYC and LA) - so the rest of the country looses valuable white space spectrum to operate low cost mics in. When I wrote this amazon was selling these like mad - now they are gone.



review



This is a tried and true design found in many installations. It was well engineered to be simple to use, yet feature packed, and made at a pricepoint you just can't beat. Simplicity, performance, and value all receive high marks considering the 4 channels and low cost. Yes, It's not a Shure UHF-r and won't be found in major productions, and doesn't have a 140 dB s/n ratio, but again, it's not going to set you back 8000 dollars for 4 mics either!



The drawbacks this design has over MUCH more expensive complete systems are a lower signal to noise ratio, lack of a true diversity system (which means occasional whooshing sounds as performers cross through dead spots), and a bit of hiss, sort of like tape noise, which can be taken out in the mixing booth by dialing down the high frequency knob on the 4 channels. Interferance is unlikely, but the limitation of channel freedom means if your local police department puts THEIR transmitter on your 3rd frequency you may loose that mic. Which leads onto the elephant in the room...



I've been finding more and more 700 mhz systems that had to be removed from service, which is sad, because 700 mhz was a clean frequency used for low end equipment since it lacked TV stations, perfect if the customer was not affluent. There is not a direct replacement at this price. What is worse is that In SOME (not all) parts of the country the 700 Mhz band is not yet being used for public safety coordination. Then there is the rumor that FEDERAL agencies (boarder patrol, INS, secret service, etc) are excited to have "new" clean channels nationwide and plan to use these even in areas of low population. The mics operate wideband low power in the 740-810 Mhz range, and I normally get to be the bringer of bad news. Right now many companies (Shure, Sennheiser, Azden, etc) are offering for the calender year 2010 trade in allowances for ANY manufacturer's equipment in the 700Mhz "public safety band" when you purchase their new 500-699 Mhz systems. The FCC wants 700 Mhz clean for the public safety. Realistically if these are used inside a building the signal won't go far, but if its your church on fire and a fireman gets trapped inside because his radio doesn't work, the liability is high. It's one of those unlikely to happen but severe consequences if it does situations in risk assesment. One customer heard police data being transmitted over their 700 mhz mic, which mixed into their program audio, which is much more likely to happen, but has a very low cost if it does so a low risk. Also the owners of new 700mhz frequencies will be checking them for interfering signals from other junk in the RF spectrum because everything from neon sign transformers to rusty fences around TV station transmitters can produce weak signals like these mics do so a new channel often gets investigated as a matter of routine before equipment is purchased - this is why professional grade mics can be programmed to any frequency with a "user defined" channel or bank of channels - alot of my work is calculating 4 or 8 channels that will work together and will not be bothered by local TV stations in HDTV 500-699 mhz. Yea, it may mean reprogramming a band's channels on the road between performances but software does most of the hard work nowdays.



The dollar fine for operating in 700 mhz (all wireless users should get licenses) is very high, and no new licenses will be issued in 700-800 mhz for low power devices.



If you need 4 mics on a budget inside a US city, perhaps the best thing to do is wait for the updated version of this product when it is introduced in 500 or 600 mhz. It is a simple matter to move the frequency band down, this unit features "modules" that can be swapped out, so I'd guess a new design is in the works. This is by no means the only product hit, the wonderful Azden 100 series camera mount true diversity $200 Lav was also a 700 mhz mic but was dropped from Azden's lineup once the new rules came out. I've done over a dozen replacements in major cities with 700 Mhz systems being installed. Even one of Azden's high end dual mic on camera ENG systems was re-done to get out of 700 mhz.



Oh yea - great news - if you are overseas and on a budget, go for it! 740-800 is empty almost everywhere on earth and WAS perfect for wireless mics until the us reallocated it. If you live outside of major cities inside the usa, you would probably never have a problem since the mics are intermittant use and would likely never cause a problem or even be noticed, but know the risks before you buy something like this that is already obsolete.

 "Great for people who don't know anything about mics" 2009-12-22
By Anita Bath
I do not know anything really about microphones and that kind of stuff. However, the elementary school I work at really needed a wireless mic system for our kids to use during our Christmas program. The system worked perfectly for our kids and had a really great range. I'm sure that this would work well for professional purposes, but we were able to knock out the basics and get everything set up in about 10 minutes. If you are having a concert or something similar, I highly recommend this product for its afford ability and ease of use.

 "Great Quality for DJ/KJs" 2008-08-22
By C-Jay's Entertainment (Madison, OH USA)
I've used this system for over 2 years. I can't tell you how great they sound! I've had numerous comments from professional musicians telling me how "hot" these mics are and they rave of the sound quality. I would not think twice about recommending these to anyone from private users to DJ/KJs.

 "Awesome piece of equipment!!!" 2008-08-06
By Jonathan Shultz (Lancaster, PA)
Because our church does a lot of outdoor activities we were interested in going wireless, but the entry price is pretty high for the "known" brands. So we took a chance with the 5800 because it gives 4 mics right away. When we hooked it up, we were astounded! We used tyhe 4 xlr connections so we could eq each one with our mixer. The vocal reproduction was incredible! We did a side by side with our samsung and peavey wired mics and the Vocopro was the clear winner. The range was much better than inspected. We walked with it nearly a full city block before we lost the signal. The rack mount has a very clean layout, and its easy to tell which mics are on and which have a signal. The only downside we saw was the need to replace the alkaline batteries every other service. Rechargeable batteries didn't work well, which is why we are upgrading to the 5805, the same system except with rechargeable mics. I would recommend the 58xx series to anyone. It's inexpensive, but it's clearly not cheap.


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Numark DJ I/O Multi Channel USB 2.0 DJ Audio Interface

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FOR THE ON–THE–GO SOFTWARE DJ AND PRODUCERS. The DJ|iO is compact and rugged enough to live in your gig bag, but powerful enough to provide solutions for a wide range of computer audio needs. The DJ|iO gives software–based DJs, performers and producers a range of options for outputting their final audio. Whether in the form of a live mix or a just–completed new track. With the DJ|iO, DJs and Producers can pass audio from their software–based application of choice through the USB 2.0 connector on the DJ|iO to a traditional mixer (for multi–channel mixing) using the built-in pair of stereo RCA connections. In addition, the DJ|iO features ¼” Microphone input and pass–through to Stereo RCA jacks for quick and easy voiceovers. The DJ|iO features ultra–low latency audio (via ASIO drivers), with 2 independent RCA stereo outputs, a mic input with adjustable gain on stereo pair #1 and a ¼” stereo headphone output on stereo pair #2. The DJ|iO is USB bus powered but can also operate with a 9V DC external power supply (sold separately) for those who have exceeded the power output of their existing USB bus.
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Technical Details

- 24-bit DACs
- Output Level: +2.0dBV +/-0.5dB
- SNR: > 100dB (A-weighted)
- THD+N: 0.008%
- Configue as 2 sets of stereo ouputs or 1 stereo out and 1 heaphone out
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 "Works Good...When It Works" 2010-03-30
By D. Gusmer
I bought this a week before I switched to Windows 7. I was using it on Windows Vista Business 64bit and it worked great along with Traktor Pro, however, it doesn't seem to like Windows 7 at all. This could just be a Traktor problem, but all my drivers are up to date and such. When it did work, the sound quality was amazing. I reformatted last night to Windows 7 64bit and have yet to try it out, but I hope it works better than it did on 32bit. If you can it to work, then it is a great product that I would highly recommend. I have many friends that use this, and the week I did have it working it was amazing.

 "Awesome Sound Card!!!" 2009-11-01
By G. Monroy (Houston, TX)
Not sure what the problem was with the guy who said this soundcard doesn't work with Virtual DJ. I use it for gigs and they work perfectly. Granted I am a computer professional and you do have to set the latency to accomodate your laptop (if it's slow, increase the latency). I have a super fast laptop penryn Core 2 processor Ocd to 2.59GHZ with 6MB of L2 cache 4Gigs of PC5300 SoDimm RAM and a 500gig HD. Yes I put this monster together go to [...]



Virtual DJ works great, so does Deckadance, you name it. I've had soundcards from MOTU, Indigo, Creative, all great but the simplicity and small form factor (except the Indigo DJx PCI Express - that thing is almost too small but also sounds amazing) and the fact that it has RCA outs configurable for your mains (2 virtual turntables if you want to pipe them out to an external mixer - you name it) and 1/4in outs for your headphones and 1/4in in for a mic. This thing rocks!!



JM

 "Does the Work" 2009-06-10
By A. A. Al Amar
The Price & Performance of this sound card is just right.





recommended for laptop dj's

 "No frills, easy to set up interface" 2009-04-09
By Michael Mrowca (Orange, CA)
This product does exactly what it says it does. It creates a second output channel to monitor cue tracks in various DJ and music production software. By allowing you to route directly to headphones, you can preview what will be played next before sliding the cross fader over. Set up is simple and can be done in minutes (very intuitive even for novice DJ's and musicians). Directly connect to your monitors/speakers through the back, headphones go in the front, USB to the computer, run the software and you're ready to rock!



I had no problem using this device with Ableton Live 7, Traktor Pro or Virtual DJ 3. I am running a Gateway laptop with Windows Vista. Other reviewers who have had difficulties with this unit either had out of date drivers for the hardware and/or software or were using hacked warez versions that make USB support difficult and sketchy.



I recommend getting a USB MIDI mixer to use with your software of choice to truly take advantage of this interface.

 "It doesnt work with virtual dj or traktor pro" 2009-03-10
By Julio A. Cadena

My computer just crashes after 30 min that I been using it with dj io along with virtual dj or traktor pro.I have a new macbook 10.5

It just freezes my computer and you have to restart it. (Thats not so pro in the middle of a gig.)

So I called the people from Numark who by the way were very rude, and they just told me that in order to make it work I would have to get the new version from virtual dj and that means spending more money! So I'm just guessing that in order to be able to keep using their products you have to pay each time they come up with something new!!!

Very disapointing!!!!


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