Behringer Europower EP2000 Professional 2,000-Watt Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology

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Professional 2,000-Watt Stereo Power Amplifier with ATR (Accelerated Transient Response) Technology
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Technical Details

- 2 x 1,000 Watts into 2 Ohms; 2 x 750 Watts into 4 Ohms; 2,000 Watts into 4 Ohms (bridge mode)
- Precise Power, Signal and Clip LEDs to monitor performance
- XLR and 1/4" TRS input connectors for compatibility with any source
- Professional speaker connectors and "touch-proof" binding posts support most speaker wiring systems
- Selectable low-frequency filters (30 Hz or 50 Hz) remove distracting infra-sound frequencies
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Tascam CD-RW900SL Professional CD Recorder

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The Tascam CDRW900SL has quickly become one of the most popular CD recorders on the market. The CDRW900SL features a robust slot-loading transport, 24 bit A/D & D/A converters, MP3 playback, key control, sample rate conversion, and selectable CD disc reading speed. The CDRW900SL provides dedicated analog front panel input control, rear panel unbalanced (RCA) I/O, and S/PDIF digital I/O (optical and coaxial). Recently added features include Auto Cue and Auto Ready from the menu, selectable I/R remote Enable/Disable, and MP3 Action Setting (prevents accidental termination of continuous MP3 playback). The features users have come to expect from Tascam are also included; Pitch Control on playback (0.1 to 1.0% in 0.1 steps), Auto or Manual track division, Sync Record Start, Power on Play, Elapsed, Remain, Total and Total remain Time display, and CD-Text read and write.
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Technical Details

- Slot Loading Transport^24 bit A/D and D/A converters^Sample Rate Conversion^MP3 file Playback^MP3 Action setting\
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 "A great choice" 2010-02-08
By Mr. Timothy Nyhuis (Hartford, MI USA)
The Tascam CD-RW900SL is just what the doctor ordered for us. We are small church that was still using cassette recording for our services and weren't sure how we would like making the change to CD recording, but the Tascam recorder made the transition easy and painless. It was easy to set up and the instructions that came with it were clear and user friendly. The recordings are crystal clear. I would recommend this model to anyone desiring to use CD recording.

 "Good Recorder" 2009-10-19
By A. Dunkin
I really like this recorder. It has done a really good job for us. We record on it weekly.

 "Really Nice Rock Solid" 2009-04-07
By JC (MD USA)
Just got it and love it. This is an extremely sturdy unit, built to last. Buttons, panels, inputs, slot loading: everything about it is durable.



Function seems to be great as well. The keyboard input and remote are great features and (as professional gear) it is free from SCMS (and of course the "Music CD"). The gain controls (record level setting) are essential for proper transfers from analog material and seem to be very sturdy as well. Separate knobs for each channel is a thoughtful approach and they have a nice feel. Input controls are typically the achilles heel of any recording equipment (eventually the rheostats get dirty and start making noise on the source when you move them, though we may be beyond that nowadays), so we'll see about that in a few years. I do hope they are as well made as the rest of it.



This is pro quality equipment and would be equally at home in a studio rack or in a high end system. It has 24 bit converters and the quality and ease of recording is great. While it will even play MP3's (though not sure why one would need it to), it has pitch control and will also do direct digital dubs.



Of course we can also put it in the rack in the home studio, but the bottom line for a lot of what I expect to be doing with it: If you want a CD recorder to make lossless transfers from legacy analog sources (cassettes, LP's, etc.) this is the equipment to get. It's worth paying a bit more than the pro-sumer products (and it's really not that much more here). I have Sony pro-sumer stuff in my stereo system and this machine is WAY more solid than any of that. Even the patch panel for inputs (in the back) is rock solid (far better than any home or pro-sumer equipment and even than most of the "pro" gear I've seen). Some other brand may some esoteric specs that are a little better or a reputation, but if it breaks down all the time it's not functional and if it costs twice as much (at this price point) you'd really have to find some feature you absolutely had to have that this one doesn't to make that worthwhile. They do make a model a step up from this that adds a few features, but I didn't really think it was anything I couldn't live without. This machine does cost twice as much as the bottom of the line consumer recorders but what they packed into it is more than worth that (much smaller) difference.

 "Great Recorder....Great Seller!!!!" 2008-11-12
By Gerard Masters (Soggy Seattle, Wa)
What a difference 1/2 price makes!! I bought the HHB Dual Disc Burner for over a Grand ($) and although it looks tight, the cd trays immediately turned me off, very very flimsy. Not a good first impression on a 'Professional' CD Recorder that lists for over $1000.

So I took a chance and popped for this Tascam and quite the opposite reaction, out of the box I was impressed with the look and feel of this unit. The buttons have a 'positive' feel to them unlike the HHB whose buttons felt loose and sloppy. And the Digital 'Syncro' start worked perfectly unlike the HHB DualBurn which for the life of me, could NOT get it to start recording when I started the Digital 'Source' master. So there you go, great features, not lacking any at all, heck even more than the hhb (Pitch control for one) and at less then half the price I paid....I love Amazon.com and the retailer I got this from......

MasterG

 "studio quality affordable price" 2007-12-11
By L. Dolan
The Tascam 900SL is a great professional CD recorder for your studio. I was forced to buy this unit after my Alesis Master Link Hi resolution mastering CD recorder broke down... again .... altho the Tascam doesn't have all the features of a mastering CD recorder it does a great job of capturing my recording effortlessly. two major qualities I like in the 900SL are the ability to use a pc keyboard to access all the functions of the 900SL. you never really have to touch the unit itself. the other is the Slot Loading of the disc. its about time someone implemented this great idea into a unit. you never have to worry about breaking the CD tray again. its a great looking unit. I just don't care for the illumination color or clarity of the face. the bright gold color matches nothing in my studio and its kind of blurry because they use a cheap plastic cover instead of glass. which would make this unit look way more professional instead of looking like a home stereo unit. for the price you would think Tascam would use all aluminum and glass to enhance the new 900SL. above all that its a great recorder and does its job with ease.I give the 900SL a 7 out of 10 for looks and a 8 for functionality. ill be moving the 900SL to the home stereo rack after the Masterlink is repaired. there really isn't a unit out than can stand up to the Masterlink recorders features and flexibility. get it together Tascam!


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E-MU EM7700 Professional USB/Midi Controller Keyboard with 25 Full Size Keys

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The E-MU Xboard 25 Professional USB MIDI controller for PC and Mac offers unmatched playability, real-time control and programmability in a portable keyboard package ideal for studio and stage use. The Xboard™ 25 features fullsize, velocity sensitive keys with aftertouch, 16 programmable real-time controllers, Xboard Control editing software, and E-MU's Proteus X LE Desktop Sound Module, with over 2,500 sounds. The Xboard Control software provides an intuitive desktop interface that lets you effortlessly create custom templates for all of your favorite hardware and software instruments. The Xboard 25 also allows you to set discrete MIDI channels for each controller and offer unrivaled real-time control and performance features, including Snap Shot that lets you send multiple program changes and controller values by pressing a single button, and Xboard Latch Mode that enables you to define a section of the keyboard as on/off triggers - perfect for drum loops. The Xboard 25 is ultra-portable and can run on USB, battery, or AC power.
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Technical Details

- 25 full-size professional keys with Aftertouch - the Xboard 25 is a true performance controller with a high-quality synth-action keybed
- 16 Real-time control knobs and 2 transpose buttons
- Footswitch/Pedal and Mod/Pitch Wheel
- Data/Master Volume Slider
- USB, AC and Battery powered
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 "Quality MIDI controller" 2009-07-01
By K. Truskowski (PA)
I just recieved this controller in the mail about an hour ago and already I'm fiddling around with it making a few little beats and what not. The software that it comes with is very easy to install, so for all you people looking to buy your first controller (like I was) it didn't cause me any headaches. I simply plugged in the controller, put the disc in the cd drive and off it went installing all of the drivers and software. I'm not an expert but so far the E-MU is standing up to all of my expectations.

 "Best in class." 2008-08-10
By J. Hale
This midi controller is the best in its price range without a doubt. I compared it to the Oxygen series. Yes the Axiom may have more features, but you will pay much more for that item. This controller blows the Oxygen line out of the water. Although the keys are not advertised as being weighted, each key has a small steel weight attached to the underside to give it a weighted feel. I was very impressed. It also has 16 knobs, more than enough for controlling my favorite vsts in Fl Studio. It also works great with Reason.



My only complaint is the included softsynth. EMU doesn't say it in the marketing materials, but it is mentioned in the manual (AFTER YOU HAVE ALREADY BOUGHT IT THINKING THAT YOU ARE GETTING AN INCLUDED SYNTH), that you have to have an EMU AUDIO CARD in order for it to work.



All in all I am giving this a five just becuase the keys and knobs feel great, and I already have enough vsts to not need the included one.

 "fun li'll gadget" 2007-11-05
By A. R. Gimpert (Chicago, IL)
This controller is exactly what it's cracked up to be: affordable, versatile, and compact. The simple LCD feedback is surprisingly excellent, the keys, knobs, wheels all have a familiar, reliable feel. I simply plugged it into the usb, it got power, xp recognized it as a midi audio something or other, and I was immediately sending midi signals to Live.



Cons: One knob only registers ~100 degrees (not the full 270 or whatever). Not a big deal.



Also, the included VST instrument software isn't working with Live right now, and the error message + help documentation is weak.



Overall, I look forward to exploring what I can do with this. It's small size and power-via-usb is a huge plus for mobility!

 "Great Bang for the Buck!" 2007-08-13
By Ahren L. Hemberger (Dallas, Texas)
Great piece of hardware for a beginner (like me). Programming is a bit difficult, and I have yet to figure out how to use the included Proteus software, but overall a great product. Solid build quality. No problems at all.


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VocoPro UHF-5800 Professional 4 Channel UHF Wireless Microphone System

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UHF Professional Wireless Mic System
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Technical Details

- 4 Balanced XLR outputs, one unbalanced 1/4 inch mixed output
- 4 Handheld mics included
- Individual Volume controls for precise vocal balancing
- 4 independent Field-replaceable Modules (no need for tools)
- Interference-resistant UHF Band operation from 614 MHz - 694 MHz
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 "Great but just one problem for users inside the USA" 2010-02-13
By HMMWV (santa clara, CA USA)
UPDATE:



As for wireless mics I see amazon is cleaning up the 700 Mhz issue. Its disappointing because the FCC gave 100 Mhz of spectrum to ALL police departments nationwide - yet few have used it (maybe NJ, NYC and LA) - so the rest of the country looses valuable white space spectrum to operate low cost mics in. When I wrote this amazon was selling these like mad - now they are gone.



review



This is a tried and true design found in many installations. It was well engineered to be simple to use, yet feature packed, and made at a pricepoint you just can't beat. Simplicity, performance, and value all receive high marks considering the 4 channels and low cost. Yes, It's not a Shure UHF-r and won't be found in major productions, and doesn't have a 140 dB s/n ratio, but again, it's not going to set you back 8000 dollars for 4 mics either!



The drawbacks this design has over MUCH more expensive complete systems are a lower signal to noise ratio, lack of a true diversity system (which means occasional whooshing sounds as performers cross through dead spots), and a bit of hiss, sort of like tape noise, which can be taken out in the mixing booth by dialing down the high frequency knob on the 4 channels. Interferance is unlikely, but the limitation of channel freedom means if your local police department puts THEIR transmitter on your 3rd frequency you may loose that mic. Which leads onto the elephant in the room...



I've been finding more and more 700 mhz systems that had to be removed from service, which is sad, because 700 mhz was a clean frequency used for low end equipment since it lacked TV stations, perfect if the customer was not affluent. There is not a direct replacement at this price. What is worse is that In SOME (not all) parts of the country the 700 Mhz band is not yet being used for public safety coordination. Then there is the rumor that FEDERAL agencies (boarder patrol, INS, secret service, etc) are excited to have "new" clean channels nationwide and plan to use these even in areas of low population. The mics operate wideband low power in the 740-810 Mhz range, and I normally get to be the bringer of bad news. Right now many companies (Shure, Sennheiser, Azden, etc) are offering for the calender year 2010 trade in allowances for ANY manufacturer's equipment in the 700Mhz "public safety band" when you purchase their new 500-699 Mhz systems. The FCC wants 700 Mhz clean for the public safety. Realistically if these are used inside a building the signal won't go far, but if its your church on fire and a fireman gets trapped inside because his radio doesn't work, the liability is high. It's one of those unlikely to happen but severe consequences if it does situations in risk assesment. One customer heard police data being transmitted over their 700 mhz mic, which mixed into their program audio, which is much more likely to happen, but has a very low cost if it does so a low risk. Also the owners of new 700mhz frequencies will be checking them for interfering signals from other junk in the RF spectrum because everything from neon sign transformers to rusty fences around TV station transmitters can produce weak signals like these mics do so a new channel often gets investigated as a matter of routine before equipment is purchased - this is why professional grade mics can be programmed to any frequency with a "user defined" channel or bank of channels - alot of my work is calculating 4 or 8 channels that will work together and will not be bothered by local TV stations in HDTV 500-699 mhz. Yea, it may mean reprogramming a band's channels on the road between performances but software does most of the hard work nowdays.



The dollar fine for operating in 700 mhz (all wireless users should get licenses) is very high, and no new licenses will be issued in 700-800 mhz for low power devices.



If you need 4 mics on a budget inside a US city, perhaps the best thing to do is wait for the updated version of this product when it is introduced in 500 or 600 mhz. It is a simple matter to move the frequency band down, this unit features "modules" that can be swapped out, so I'd guess a new design is in the works. This is by no means the only product hit, the wonderful Azden 100 series camera mount true diversity $200 Lav was also a 700 mhz mic but was dropped from Azden's lineup once the new rules came out. I've done over a dozen replacements in major cities with 700 Mhz systems being installed. Even one of Azden's high end dual mic on camera ENG systems was re-done to get out of 700 mhz.



Oh yea - great news - if you are overseas and on a budget, go for it! 740-800 is empty almost everywhere on earth and WAS perfect for wireless mics until the us reallocated it. If you live outside of major cities inside the usa, you would probably never have a problem since the mics are intermittant use and would likely never cause a problem or even be noticed, but know the risks before you buy something like this that is already obsolete.

 "Great for people who don't know anything about mics" 2009-12-22
By Anita Bath
I do not know anything really about microphones and that kind of stuff. However, the elementary school I work at really needed a wireless mic system for our kids to use during our Christmas program. The system worked perfectly for our kids and had a really great range. I'm sure that this would work well for professional purposes, but we were able to knock out the basics and get everything set up in about 10 minutes. If you are having a concert or something similar, I highly recommend this product for its afford ability and ease of use.

 "Great Quality for DJ/KJs" 2008-08-22
By C-Jay's Entertainment (Madison, OH USA)
I've used this system for over 2 years. I can't tell you how great they sound! I've had numerous comments from professional musicians telling me how "hot" these mics are and they rave of the sound quality. I would not think twice about recommending these to anyone from private users to DJ/KJs.

 "Awesome piece of equipment!!!" 2008-08-06
By Jonathan Shultz (Lancaster, PA)
Because our church does a lot of outdoor activities we were interested in going wireless, but the entry price is pretty high for the "known" brands. So we took a chance with the 5800 because it gives 4 mics right away. When we hooked it up, we were astounded! We used tyhe 4 xlr connections so we could eq each one with our mixer. The vocal reproduction was incredible! We did a side by side with our samsung and peavey wired mics and the Vocopro was the clear winner. The range was much better than inspected. We walked with it nearly a full city block before we lost the signal. The rack mount has a very clean layout, and its easy to tell which mics are on and which have a signal. The only downside we saw was the need to replace the alkaline batteries every other service. Rechargeable batteries didn't work well, which is why we are upgrading to the 5805, the same system except with rechargeable mics. I would recommend the 58xx series to anyone. It's inexpensive, but it's clearly not cheap.


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Audio-Technica ATH-M30 Professional Headphones

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Audio-Technica ATH-M30 dynamic stereo headphones are the perfect choice for project studio engineers, home recordists and recording musicians. ATH-M30 headphones offer the highest level of sonic accuracy in a design engineered to provide maximum comfort for hours of listening. Their low-profile, closed-back design provides exceptional clarity and superior isolation in high-volume listening situations. Features include: neodymium magnet structure; lightweight, adjustable cushioned headband; gold-plated stereo 1/8-inch (3.5 mm) connector with strain relief and snap-on 1/4-inch (6.3 mm) adapter; ultra-flexible 11-foot cable with single-side exit.
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Technical Details

- Exceptional clarity and sonic accuracy for mixing
- High power handling for tracking sessions
- Circumaural design ensures superior isolation
- 40 mm diameter drivers, neodymium magnets and CCAW voice coils
- Adjustable cushioned headband and lightweight design for maximum comfort
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 "Very good, but not the best fit" 2010-02-17
By S. Benz (San Diego)
I have just started using these headphones and two things stand out.



1) The sound quality is far better than my old set (Panasonic RP-HT355). Deeper base and a crisper overall sound that was obvious immediately after swapping.



2) The fit of the ear muffs is not the best. There should be a little more padding so the speakers don't press against my ears. This becomes slightly bothersome after about an hour of wear.



Overall, these are great headphones and I'm glad I have them (got them for Christmas). They are a good value at the current price of $46.58.

 "I don't get what all the hype was about." 2010-02-07
By A. C. Texidor
I was looking for a good pair of on ear headphones and I decided to go with the M30's based on my previous experiences with the brand and customer reviews.



I used the headphones for less than 24 hours. I wasn't impressed with the sound quality but it was decent overall, for $44 why complain? I listened to many different generes of music even watched a movie on my laptop. They started to feel uncomfortable after having them on for an hour or so, not unbearable but definitely uncomfortable. Then I started to notice that the right ear was cutting in and out, I figured it mightve been the audio jack from the device I was listening to. I tried it on several different devices and it was still cutting in and out. Probably recieved a defective unit, but it was enough for me to return them.



If you're looking for a decent pair of on ear headphones for seldom use, go for it. Other than that, I don't recommend these.

 "none better at this price" 2010-01-24
By Christopher M. Rea (san diego, ca)
i cant use any techincal terms as i am not a serious audiophile, but i am a serious gamer. i use them onboard an aircraft carrier during my off time, and since i cant connect to Xbox Live, i dont need a mic. these are PERFECT. i can crank my games and movies without bothering anybody, but i can still hear anything serious (alarms, announcements, etc.) so they are a great blend of sound blocking and still able to be aware of surroundings. i have never dropped over $30 on cans before (previously had a pair of sony cans for that price and they sound cheap now), so i am glad i plunked down some extra green for these.



as for comfort, i have worn them for about 5 hours non-stop while playing xbox and they feel fine. i have rather normal sized ears and they fit perfect. sometimes they do feel a bit constrictive around the tops of my ears but i think i just need to adjust the band to take some weight off. speaking of the band, its perfect also. i wear a 7 1/4 hat and these dont pinch my very normal sized noggin at all. i've heard of nightmares where people can only wear thier cans for a couple hours before thier band feels like a vise. imagine my relief when i discovered these are barely noticable.



sound quality is top-notch. amazingly deep base without sacrificing much, if any high frequency detail. not muddy or tinny, just right while sounding rich and crisp. i almost prefer them to playing while listening to speakers! seriously, these are the best headphones i have ever owned.

 "superior sound quality and comfort for the money" 2010-01-19
By Julius Treve (Vermont)
I guess my ears are a little big, but I wasn't able to enjoy the sennheiser hd 202 series. So I got these.



They fit over my ears so snuggly and comfortably, I can wear them for hours and hours and it doesn't hurt my ears at all, feels very good. They also bonus as earmuffs in the cold. The sound isolation is pretty great as well (though nothing near professional earmuffs). Plus, the sound quality is quite clear. Obviously not as good as a much more expensive pair of audiophile headphones, but for the price of the ath-m30s, you get some great sound. The bass gives a really nice punch.



Also the build quality is superb. Very solid feel to them. The headphone jack has a serious weight to it. Very pleasant.



Totally recommended

 "impressive" 2010-01-19
By B. Dunham (orlando, fl)
I have been involved in home studio recording for over 4 years now and I am very impressed with these headphones. I can't imagine how anyone could not be considering the price. I previously used a pair of Sony headphones that were in the same price range and they were crap compared to these. Funny because I never really gave audio technica the time of day.


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