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Dual switch latching foot switchSingle jack requires stereo (TRS) 1/4" cable
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- FOOTSWITCHSee more technical details
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Showing posts with label foot. Show all posts
Showing posts with label foot. Show all posts
Hosa Dual-Channel Foot Switch
4.5.11
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Dual switch latching foot switchSingle jack requires stereo (TRS) 1/4" cable
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Behringer FCB1010 MIDI Foot Controller
6.12.10
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The Behringer FCB1010 helps you get the most out of your gear without tying up your hands or slowing down your performance.No matter what you play, or even if you're an engineer with a MIDI arsenal, you'll love the FCB1010. On top of its impressive MIDI functions, it gives you two jacks for analog channel switching and rugged, road-proof construction. Features include 10 banks with 10 user-editable presets each, 2 expression pedals with freely assignable MIDI channel, controller number & range, 5 MIDI program change and 2 MIDI controller commands per preset (simultaneously transmittable), and MIDI note-on commands transmittable for trigger and tap-tempo applications. The Behringer FCB1010 also features an integrated power supply - no messy AC adapters.Behringer FCB1010 Features10 banks with 10 user-editable presets eachTwo expression pedals with freely assignable MIDI channel, controller number and range*Five MIDI program change and two MIDI controller commands per preset (simultaneously transmittable)MIDI note-on commands transmittable for trigger and tap-tempo applicationsTwo programmable relay-controlled switch jacks, e.g. for amp channel selectionMIDI merge and sysex backup functionsEasily programmable in a standing positionIntegrated power supply-no messy AC adapters* Note: A MIDI cable is not included.
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Technical Details
- 10 banks with 10 user eitable presets- 2 expression pedals
- MIDI merge and sysex backup
- Programs easily
- Intergrated power supply
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DigiTech GNXFC Foot Controller
17.11.10
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The DigiTech GNXFC lets you simultaneously use the recorder and floor processor portions of the GNX3TM Guitar Workstation and BNX3 BassWorkstation.The three footswitches on the GNXFC operate the Stop/Undo, Record and Play transport controls of the Workstations' built-in digital 8-track recorders. This lets you use the GNX3 and BNX3's footswitches for quick preset changes while recording different tracks.The GNXFC Foot Controller connects to the GNX3 or BNX3 with a single cable, which is included.
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- Foot Controller for use with GNX & BNX ProcessorsSee more technical details
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CBI BL2A Cable - 3 Foot, 1/4 Inch TRS To 1/4 Inch TRS Balanced
5.11.10
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The CBI BL2A cables feature flexible shielding and 24 gage balanced wire for crystal clear sound quality. Perfect for when you need that balanced TRS connection on the stage or in the studio.CBI features unsurpassed delivery, flexibility, and quality for the Recording Studio, Live Audio, and Sound Installation Wiring markets. CBI products include many top of the line components, such as Belden cable, Switchcraft, G&H, and Neutrik connectors. CBI's product lines encompass a wide range of professional wiring systems for musical instruments, sound reinforcement, sound installation, audio/video, recording & broadcast, as well as bulk wires, connectors, adapters, and custom designs. In addition to being a well-established and respected force in the retail music industry with over 20 years of experience, CBI has been a pioneer in the field of designer cables and is unparalleled in the custom cable market.
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CBI BL2A Cable - 10 Foot, 1/4 Inch TRS To 1/4 Inch TRS Balanced
2.7.10
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The CBI BL2A cables feature flexible shielding and 24 gage balanced wire for crystal clear sound quality. Perfect for when you need that balanced TRS connection on the stage or in the studio.CBI features unsurpassed delivery, flexibility, and quality for the Recording Studio, Live Audio, and Sound Installation Wiring markets. CBI products include many top of the line components, such as Belden cable, Switchcraft, G&H, and Neutrik connectors. CBI's product lines encompass a wide range of professional wiring systems for musical instruments, sound reinforcement, sound installation, audio/video, recording & broadcast, as well as bulk wires, connectors, adapters, and custom designs. In addition to being a well-established and respected force in the retail music industry with over 20 years of experience, CBI has been a pioneer in the field of designer cables and is unparalleled in the custom cable market.
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- 10 Foot cord lengthSee more technical details
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Line 6 FBV2 2 Button Foot Switch
10.6.10
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Don't feel like carrying around a full-sized foot controller? Now you don't have to! The FBV2� lets you scroll through the first bank of four presets and is small and light enough to fit in your gig bag. With its ultra-reliable switches and aluminum case, the FBV2 can take all the abuse you can throw at it.
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Technical Details
- Scrolls through Channels A,B,C, & D- Road-ready metal construction
- Self-powered though the locking cable
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By Vegas Charlie (Las Vegas, NV)
This pedal is nothing fancy but essential if you don't enjoy stopping in the middle of the song to switch tone...It's very well built, compact and powers itself via the included (very long) cable. If you have a Spider III 75, this pedal will allow you to switch between channels A-D. The Spider III 75's 4 channels can each hold 9 presets (A1-A9/B1-B9 etc...). This pedal allows you navigate through the presets by going from A1 to B1 to C1 to D1. Manually move A1 to A2 on your amp, and your pedal is ready to navigate between A2 and D2 etc... Also, this pedal is very responsive and has no delay when switching between channels.
By Andrew Ellis
I have a Line 6 Spider III 120W 2x10 amp (which I love). For changes between presets during songs, I needed some sort of footswitch. The options are this ($29), a FBV Express ($99), a FBV Shortboard ($269) or a FBV Longboard (I think it's $349 or something). The disadvantages of this one are:
(a) it only switches between 4 presets at a time rather than 36 and
(b) there are only two buttons so getting from preset 1A to 1C requires two clicks.
However, this is not a problem if you set your presets in order of how they appear in a song and make sure that each song has 4 or less presets. I have never played a song in which this was an issue.
The advantages are, of course, low price AND having a compact, reasonable pedal rather than an unwieldy giant that you don't need. In addition, this thing is sturdy and I don't think it will ever break down.
So, if I had to do it again, I definitely would. I like this amp 100% better now that I can change between presets during songs. If I didn't have access to some sort of footswitch that could do this, I'd sell the amp. That's how important this little thing is.
By David Gonzalez Espinoza (Juarez, Chih,, MX)
Good quality and performance. It is good for house practice but not good enough for live gigs.
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DigiTech FS3X Three-Function Foot Switch
4.6.10
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The DigiTech FS3X provides hands-free loop selection and enables the Auto Record feature on the JamMan.The FS3X connects to the JAMMAN the 1/4-inch FOOTSWITCH jack using a TRS stereo cable (included).
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Technical Details
- 1/4-inch jack (Tip-Ring-Sleeve)- Auto Record feature
- Hands-free loop selection
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By T. Jones (Cedar Rapids Area, Iowa USA)
This footswitch control makes the Jamman much more usable from any playing position. Although I find the "Mode" button pretty useless, the "Up/Down" buttons are truly necessary for the operation of this unit.
If you have a Jamman, buy this too.
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Behringer FCV100 Ultra-Flexible Dual-Mode Foot Pedal
21.4.10
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Ultra-Flexible Dual-Mode Foot Pedal for Volume and Modulation Control
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Technical Details
- Volume control of one stereo or two individual musical instruments- Dedicated modulation function for direct connection to keyboards modulation control input
- VCA control for utmost reliability and smooth audio performance
- Adjustable minimal volume
- Standard 9 V battery or 12 V DC adapter operation (not included)
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By Brock Martin
I got this pedal recently. All in all, it's a pretty nice device, expecially for the price. Seems solid and well-made. It has a nice big pedal for big feet. It works smoothly. I have found no drawbacks to the operation or quality of this pedal. My only gripe, is that the power for the pedal is either by an internal 9V battery, or a 12V plug in power supply. Why the difference? The really bad part (for me) is that I bought this to install in a newly-purchased Behringer pedal board, which comes with a 9V power supply. So, in order for me to use this pedal in the board, I will have to run two different power supplies, or run the pedal on battery and everything else off of the pedalboard's power supply. [Behringer...this was not thought out very well.] I'm now in the process of making myself an voltage adapter, but finding all the right parts has proven so far to be a hassle. Bottom line: the pedal itself is great, but the power supply thing could be a frustration to you.
One final note about Behringer...they seem to get bad marks now and then. I really don't understand why. I have two Behringer amps, two of their stomp boxes, the above-mentioned pedal board, and the volume pedal just discussed. I really like all of them. I have never had any problem with any of these items. They perform well, are well made, and certainly, all came at a reasonable price. Behringer's full range of products is so extensive, that I see little reason to buy any other brand. I'm sticking with them.
By S. Dragseth (Seattle WA United States)
i have a Hog guitar syn that came with an m-audio exp pedal.M-Audio EX-P Expression Pedal(they should be ashamed of themselves) It broke like everybody elses. It worked pretty good but when u take it apart and look at the plastice piece that breaks, u wont buy another one either. So i bought this one. I had to make a cable and reverse the wires, i used stereo headphone jacks and and headphone cable cut into and and reversed the wires. If i had been smarter i could have used the wire from the m-audio pedad with mini headhpne jacks i/8 inch pluch the regular ones 1/4 with i/8 adapter but i was so upset i threw the whole thing out without thinking! I actually prefer the throw or the distance on the old pedal but i guess u cant have every thing. its very smooth. Ive tried it as a volume control also , seems to work but i dont use it for that. Most behringer stuff u will luv it or send it back right away from what ive heard. im an amateur, i have some mikes, a midi foot controller fcb1010 , a condenser preamp, i havent sent anything back yet. Their equimpent is a little Spartan sometimes but if u know what your getting usually u wont be disapointed at the price of their stuff to the competiton.
By Mr. Amazed (Mexicali, Baja California Mexico)
I have always wanted a volume pedal but thougt they were too expensive. I recently started playing electric guitar again, so I unpacked my effects (a digitech RP50). I needed a passive volume pedal to exploit the digitech's whammy, octave and wah effects but since my plaing needs don't require to spend 80 to a 100 bucks on an on-the-go rig, I opted for this unit. I am very comfortable with this pedal, it has the same size as my old Dunlop Crybaby wah and I can use it in many ways! I can plug it into my keyboard and use it as a modulator or volume pedal, thus having more control of it when I play or compose.
It is very rugged, made of plastic and rubber but I still have to use it some more to see how it withstands the test of time.
To install a nine-volt battery you have to dissasemble the bottom of the pedal by unscrewing a single screw, which goes through a small metal piece. (Note the way this piece is assembled though, or you'll have to figure out how it all goes togheter again). I was very pleased with its performance as soon as I figured out how to hook it up to my effects processor(RP50) but still, I have to test it in recording.
By Rojago (USA)
For the price, this pedal is extremely hard to beat. Works really well for controlling the Rocktron gear in my guitar rig. One caution, my use for this is just as a CV controller... none of my guitar signal goes through the pedal. I've heard complaints elsewhere that this pedal can suck tone in a big way, so if you are planning on using it as an in-line device between your guitar and an amp do your homework before buying. For my app, (sending a voltage signal to the Voodu Valve), this works great. It doesn't require a battery to run as a CV controller, and it has a lot more metal on it than I expected for the price, reasonably weighty and stays put while you're using it. Pedal feel is just fine for volume swells or working the sweep of the wah. Treadle stays put, so if you are going for the half-cocked wah sound, this'll do it just fine. Highly recommended for this particular application.
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CBI BL2A Cable - 6 Foot, 1/4 Inch TRS To 1/4 Inch TRS Balanced
9.4.10
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The CBI BL2A cables feature flexible shielding and 24 gage balanced wire for crystal clear sound quality. Perfect for when you need that balanced TRS connection on the stage or in the studio.CBI features unsurpassed delivery, flexibility, and quality for the Recording Studio, Live Audio, and Sound Installation Wiring markets. CBI products include many top of the line components, such as Belden cable, Switchcraft, G&H, and Neutrik connectors. CBI's product lines encompass a wide range of professional wiring systems for musical instruments, sound reinforcement, sound installation, audio/video, recording & broadcast, as well as bulk wires, connectors, adapters, and custom designs. In addition to being a well-established and respected force in the retail music industry with over 20 years of experience, CBI has been a pioneer in the field of designer cables and is unparalleled in the custom cable market.
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Technical Details
- 6 Foot cord lengthSee more technical details
By D. C. Johnson (Indiana)
I have a pair of 6' BL2A TRS-TRS (shown here), a pair of 15' BL2A TRS-TRS and a pair of 20' BLUC TRS-XLR (all balanced). All are kink free, route well, and lie flat. The shielding is superb - after replacing unbalanced cables with these, the 60 Hz hum that had been plaguing my setup disappeared.
I'm using the cables with the following equipment: an M-Audio ProFire 610, four (4) M-audio BX5a 5-inch studio reference monitors, and an M-Audio BX10s 10-inch sub. (The extra TRS-XLR cable allows me to switch from stereo to 5.1 surround production entirely within the ProFire without rewiring the speakers.)
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