Bugera 412H-BK Classic 4 X 12, 200-Watt Half-Stack Guitar Cabinet with Original Bugera Speakers

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Classic 4 x 12", 200-Watt Half-Stack Guitar Cabinet with Original BUGERA Speakers
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Technical Details

- With 200 Watts of handling power, this vintage-style tuned cabinet is the perfect complement to virtually any valve head
- Four 12" heavy-duty BUGERA speakers for ultimate guitar tone
- Switchable 200-Watt, 16-Ohm mono or 2x100-Watt, 8-Ohm stereo mode operation
- Recessed carrying handles and rollers for easy transportation
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Ernie Ball 2250 Classic Pure Nickel Power Slinky Electric Guitar Strings

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Gauges 11-14-18p-28-38-48.Ernie Ball 2250 Classic Power Slinky Electric Guitar Strings are made from pure nickel wire wrapped around tin-plated, hex-shaped, steel core wire. Produces a warm, rich tone and delivers more playing life.All Ernie Ball strings are precision manufactured to the highest standards and most exacting specs to assure consistency, optimum performance, and long life. Ernie Ball is the pioneer of rock and roll guitar strings. Jimmy Page, Eric Clapton, Steve Vai, and Slash are among the long list of Slinky players.
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Technical Details

- Produces a warm, rich tone
- Delivers more playing life
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Planet Waves Classic Leather Guitar Strap, Black Contrast Stitch

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The Deluxe Series sets the standard for leather straps. From basic single-ply styles to two-ply garment leather straps with softsuede backing, to vintage, western, reversible, and padded styles, the Deluxe Series exudes class and style, fashion and function.All feature an exclusive tapered contour designed to prevent twisting when used with acoustic guitars. The body of the straps is 4" longer than standard straps, giving you more support where you need it most. All are adjustable from 44.5" to 53" long.
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Technical Details

- 2" Padded Lthr Strap, Black
- A new definition of playing comfort! Guitar Strap
- 2" Padded Leather Guitar Strap with Contrast Stitch - Black
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R0DE Shockmount for NTK/NT1000/Classic II/NTV

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The Rode SM2 shockmount fits the NTK, Classic II, and NT1000 microphones. RODE Microphones History and Company Philosophy RODE Microphones evolved from the Freedman Group of Companies, established in 1967 by Henry and Astrid Freedman, after immigrating to Australia from Sweden. Freedman Electronics was a pioneer in the Australian audio industry for the design, manufacture, installation and servicing of a diverse range of audio products. Loudspeakers, amplifiers, custom electronics and microphones were all a part of the company's expertise; all of which took place within the confines of the small but unique Australian market. Ongoing microphone research and development within Freedman Electronics, both in the laboratory and in the field, would later drive the ambition to design and produce superior microphone products. In 1990, the decision was made to produce and market the first RODE microphone. Before the explosion of the home recording market, there were very few established and respected manufacturers of professional recording quality (condenser) microphones. Those previous 'market-leaders' produced premium product that also carried a premium price. Why were they so expensive??? Well, the market at that time was small, and considerable investment had to be recouped from a limited customer base. RODE's early manufacturing coincided with the emergence of the much larger home recording and project studio markets. The company was aware; that by using the latest technologies, and the best design and engineering staff, production quantities could be produced which would achieve previously unheard of economies of scale. In 1998, having established itself as a leading force in this emerging market, RODE Microphones moved into a new purpose-built 20,000 sq ft factory and offices near the home of Sydney 2000 Olympics. The premises allowed for the necessary increases in electronic production, assembly, warehousing, d
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Technical Details

- Designed for use with the Rode NTk Classic and NT1000
- 3/8 inch threaded stand adaptor fits most mic stands
- Prolongs the life of your microphone
- Removes unwanted low frequency rumble
- Durable construction for longtime use
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Behringer TP300 Ultra Classic Stereo Tremolo/Panner Effects Pedal

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Classic Stereo Tremolo/Panner Effects Pedal
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Technical Details

- Get the classic and mind-bending tremolo effects of the '60s and take off with dimensional auto-pan effects
- This BEHRINGER product has been designed to compete head to head with leading products on the market
- Dedicated Depth Rate and Mode controls for awesome sound shaping
- Blue status LED for effect on/off and battery check
- Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
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Vox V847a Classic Vox Wah Pedal

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There's only one way to get the real sound and feel of the classic Wah-Wah pedal that changed electric guitars in the 60s. The reissue Vox Wah-Wah pedal. Built to the exact specification of the original pedal used by the most influential guitarist of the late 60's and 70's. From the chrome top to that familiar growl, this is it!
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Technical Details

- Input/Output jacks: INST jack, AMP jack
- Power supply: One 9V DC battery 6F22(S-006P)
- Power consumption: 540uA @ 9VDC
- Battery life for continuous use: approximately >100 hours with manganese battery (will vary depending on conditions)
- Dimensions: 102(W) 252(D) 75(H) (including rubber feet, pedal in lowest postion)
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Behringer PH9 Classic 90 Phase Shifter

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Classic 90░ Phase Shifter
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Technical Details

- Authentic and classic 90° phase shifting - from spacey warbles to mind-blowing hypnotic swirls
- This BEHRINGER product has been designed to compete head to head with leading products on the market
- Dedicated Swirl switch for vintage and modern phaser tones
- Blue status LED for effect on/off and battery check
- True hard-wire bypass for ultimate signal integrity
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Vox V845 Classic Wah Wah Pedal

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The Vox V845 Wah Wah pedal is a modern version of the most famous guitar effects pedal of all time. Based on the specifications of the original pedal developed by VOX in the '60s, the V845 Wah Wah offers guitarists the same legendary Wah Wah tone in a sturdy but very affordable design. An AC power connector is fitted to save on batteries and the outer case is coated with tough all-black finish making it the perfect choice for your pedal board. Vox developed the world’s first Wah Wah effect during the '60s in an effort to allow guitarists to emulate the sound of a trumpet being muted — an important musical ingredient of the day. VOX’s original Wah Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since. Having made spotlight appearances on some of the most famous recordings of all time, the Wah Wah is still considered must-have equipment for guitar players of all levels and abilities today.
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Technical Details

- Input/Output jacks: INST jack, AMP jack, DC i/p jac
- Power supply: One 9V DC battery 6F22(S-006P)
- Dimensions: 102(W) x 252(D) x 75(H) (including rubber feet, pedal in lowest position)
- Legendary Wah-Wah tone in a new sturdy design
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Gibson 57 Classic Humbucker, Nickel Cover

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While this timeless beauty gives you a tone that is warm and subtle with full, even response, it doesn't hold back when you need that classic Gibson humbucker crunch! The '57 Classic features Gibson's special Alnico II magnet, vintage-style copper wire, nickel plated pole pieces, nickel slugs, maple spacers and vintage-style, two-conductor, braided wiring. The '57 Classic is available with genuine gold-plated covers, nickel-plated covers, or open coils.
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Technical Details

- Special Alnico II magnet
- Vintage enamel-coated wire
- Nickel-plated pole pieces
- Nickel slugs
- Maple spacers
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Bugera 1990 Classic 120-Watt Hi-Gain Dual Reverb Valve Amplifier Head

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Classic 120-Watt Hi-Gain Dual Reverb Valve Amplifier Head
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Technical Details

- Hand-built 120-Watt hi-gain amplifier driven by 4 x 5881 valves
- Classic 2-channel preamp design (Clean, Lead) featuring 3 x ECC83 valves for terrifying punch and mind-blowing gain
- Integrated high-class reverb with dedicated Reverb control for each channel
- Vintage Equalizer section with dedicated Bass, Mid, Treble and Presence controls
- Power switch to select between pentode or triode (60 Watt) operation
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Behringer SM200 Classic Attack Effects

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Classic Attack Effects Pedal
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Technical Details

- Make your guitar sound like a violin and experience a real cool 80's effect! Filters out the attack and swells the volume automatically
- Combine it with a delay pedal and you'll get the sound of a tape played backwards
- Dedicated Attack and Sensitivity controls for awesome sound shaping
- Blue status LED for effect on/off and battery check
- Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
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JBL JRX115 15-Inch Classic 250W Continuous Two Way Portable Loudspeaker

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JBL JRX115 15 Inch Classic 250W Continuous Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet for Pole Mount, DJ and FOH Applications.
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Technical Details

- Two JBL 15 in LF Drivers with a 64 mm (2.5 in) Edge Wound Ribbon Voice Coisl - for greater efficiency and Power handling
- Ferro-fluid Cooled Compression Driver with Titanium diaphragm improves HF performance
- Tough acoustically Superior enclosure constructed using 19mm MDF for improved LF performance
- JBL advanced Crossover Network for sound shaping and SonicGuard(TM) protects the HF driver from excesses
- Dual-angle Pole-Mount Socket Allows the Speaker to Tilt 10°for More Uniform Audience Coverage.
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Zildjian Black Classic T-Shirt Xl

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The one that started it all. Our most popular shirt. 100% authentic.
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Technical Details

- Size: Large
- 100 % Cotton
- Zildjian's trademark is on the back
- The true Classic tee
- You've got over 375 years of passion on you.
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Vox amPlug Classic Rock Guitar Headphone Amp

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The Vox Amplug AC30 is a headphone guitar amp that lets you enjoy serious guitar sound, fast. Jamming late at night? Don’t want to wake the neighbors? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. You want to play guitar right now. amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime. It’s even available in three different sound styles: VOX AC30, Classic Rock, based on a UK-made amplifier head, and Metal, based on a California-made high-gain amplifier head. Even with its ultra-compact size, amPlug perfectly reproduces the complex and warm distortion that is distinctive of a vacuum tube, as well as the powerful high gain produced by a large amp stack. Using all new analog modeling technology, amPlug delivers full-fledged amp sound. Plugs directly into your guitar—a great-sounding headphone guitar amp that gives you serious sound fast. With its completely analog design, great care was also taken with amPlug's gain circuitry. The AC30 uses two natural-sounding gain stages to reproduce the distinctive AC30 tone. Classic Rock uses four classical gain circuits to deliver that great sound. Metal uses two stages of ultra-high gain plus a mid-cut circuit, giving you modern metal high-gain sound anywhere and anytime. Even the circuit response of the original amp is simulated completely. The simulation extends not only to the response of the tone circuits, but also to the way in which the high frequency and gain are affected when you turn down the volume control of the guitar. Every detail has been faithfully reproduced. With up to fifteen hours of battery life, it's easy to take amPlug anywhere. In addition to practicing at home, it's a great way to warm up before a live performance or on the road. There's also an AUX input jack so you can jam along with your CD/MP3 player.
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Technical Details

- Available in three styles: VOX AC30, Classic Rock, and Metal.
- AUX in jack lets you jam along with your CD/MP3 player.
- 100% analog circuit faithfully simulates the response of the original amps.
- AC30 emulates the AC30 top boost sound of a vintage VOX AC30.
- Classic Rock gives you the great high-gain sound of a UK-made 100W amp.
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 "Best amp I've ever heard." 2010-07-19
By C. Nader (MOUNT STERLING, OHIO, US)
I play punk like Green Day. This married with my SSS strat make the perfect tone for any punk, alternative, Classic rock or cleans. If you play humbuckers you can get a much heavier more suitable for metal, but I really don't care for playing metal.It is very versatile with the gain and tone dial. it lso make a good preamp for a bigger amp and will transfer it amazing tone. I eould have to say this is one of the best sounding amps I've heard. (I've played fenders and high end marshalls.) This is the best 40.00 I've ever spent a small amp. Another useful feature is that it take AAA batteries and not 9 volts; AAA's are more common, less expensive and have better rechargeable batteries. THis is probably what I'll stick with for the rest of my life.

 "Definitely a good thing to practice with" 2010-02-11
By M. Stewart
This was recommended to me by a friend and I love this little thing. It is good to practice with when I get off of graveyards in the morning when noise is an issue when everyone is sleeping. It definitely has good tone, and it fits just fine in my strat.

 "not bad, but not great" 2009-12-27
By Michael DiTullio (Egg Harbor TWP, NJ USA)
Not a bad little unit and I have to admit it's easy to carry but it doesn't sound as good as I was hoping. I could be expecting too much from a $40 device. I was happy with it until I got a line 6 guitar pod and at that point quit using the Vox amp plug. Granted the line 6 device is significantly costlier, but the tone out of it is much more interesting. But I can't toss the line 6 unit into my guitar case.

 "Practical for Practice" 2008-03-02
By C. Seltzer (MA United States)
The sound of this little guy is very good for what it is. Goes from clean to a nice classic rock crunch. What makes it a very good and recommended product is that it is very practical for quiet practice. Plug into the guitar, plug in headphones, and you are free and mobile to play around. The offset plug works in front angle sockets (Strat style) or end mounts (everything else), and the controls are readily available. Seems solid but I have only had it a few weeks. Right price for what it is.

 "Pocketsized and Full of Punch" 2008-02-16
By Danno (NY, NY)
Easily the best headphone amplifier I've tried! In the past these things were either full of hiss, smothered in echo, or were little more than glorified fuzz boxes with an Walkman-style headset. (That was definitely the case with Vox's discontinued AC1). The Amplug is different. It plugs right into your guitar's output jack, and has distinct tone, gain, and volume controls. No, this doesn't sound like a 100 Watt Vox head shrunk into a palmsize toy. It DOES sound amazingly like a much larger and more expensive amplifier, with very pleasing and tube-like distortion at higher volumes. It's the "classic rock" model, meaning that it's optimized for the chunky tube-distorted sound of the mid 1970s.



I like the Amplug a lot.



If you're into lead or rhythm guitar in the styles of Free, Led Zeppelin, Kiss, or the Who, you're going to enjoy this as a very valuable and inexpensive practice tool. The sound quality is good enough to use the Amplug as an amp simulator if you want to record your guitar directly to your computer. I think many people would be fooled into thinking you really had a large tube amp if they heard the recording. It's an amazing simulation, and I prefer the tube emulation in it to some digital effects units I've tried. I actually like the fact that it doesn't have built-in reverb as I'd rather use my own reverb when recording than be forced to settle with the built-in type.



Drawbacks? The clean sound is anemic. (This is not the headphone amp to use if you're planning on comping jazz chords with a heavy right hand. I have tried my mandolin with the clean setting and the results were somewhat better due to the double coursed strings.) Also, the Amplug really does require fresh batteries - the sound as the batteries weaken becomes more and more abrasive. As the batteries die, the sound gets progressively irritating. The plug isn't angled, so you're going to have a hard time using this with a Strat-like guitar. (I use a Gibson SG and I don't have this problem). The construction is very lightweight plastic that does not inspire my confidence. For a few dollars more, the Amplug could have a metal chassis that would be very durable. None of these things deter me, because I don't expect miracles from a Japanese-made plastic amp. This is in no way a surrogate for a real amp, such as Vox's own DA5, and is very much a single-trick device - but it does its single trick very well.



I bought the Vox Classic Rock amPlug on a whim in a music store. I'm glad I did! It's helped to excite me once more about playing and practicing daily. The price is definitely right, and the distortion sounds are superb. Buy this with the understanding that no amp can do all things and you'll have a great time with it.


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Dunlop Crybaby Classic Wah Pedal

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The Dunlop Crybaby Classic Fasel Wah is Back!Back in the 1960s, a device was born that would change the course of music - the wah pedal. Those original pedals, which included the first Crybaby, are among the most sought-after effects of all time. They had a unique voice that has been impossible to duplicate. Until now. After more than 30 years, the holy grail of wah components, the Fasel inductor, is back. These legendary inductors are the key to the expressive, vocal quality of the classic wahs and are finally available - exclusively from Dunlop. The most trusted name in wah pedals is also the new worldwide agent for Fasel.Introducing the Crybaby Classic featuring Fasel Inside. This wah faithfully recreates the vowel-like sweep and lush harmonic sparkle heard on so many timeless recordings. If you want that vibe, you need Fasel Inside. And the Crybaby Classic has it. Go back in time and hear what you've been missing with the Crybaby Classic.
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Technical Details

- Heavy die cast construction for years of reliability
- 100K ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound
- Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery
- Dimensions: 10" x 4" x 2-1/2"
- Weight: 3.7 lbs.
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 "The Classic Wah :)" 2010-08-16
By Snowdog
This is the classic crybaby sound! A very well made pedal with true bypass and the classic Fasel inductor. A favorite pedal of many great guitarists and a must have for me on my pedalboard. Give it a try...you will like it!

 "Dunlop Crybaby Classic Wah" 2010-01-22
By Sidney J. Crump
The classic and venerable wah pedal. Built well, great sound. A little noisy when recording. I would buy it again.

 "Excellent Sound" 2006-09-23
By TJ Mott
This wah pedal is amazing. The only reason I rate it 4 stars instead of 5 is because the description was incorrect. You cannot adjust the sound of the wah the way it says. The only tone adjustment, of course, is the wah effect itself, you can't "shape" the sound of the wah like the description says. However, it is still a good, solid pedal, and I recommend it to anyone looking for a wah pedal.

 "The "Best" Wah Pedal - Ever!" 2006-01-07
By Robert Hedrick (PA)
I have used and reviewed a few pedals - ranging from the Buddah, to Dunlop's Crybaby line, not to mention the many others..



This Wah pedal is the absolute best out there, anywhere. The Italian man "Fasel Inductor" is the heart of the sound that comes from this rock-solid tank-like beast of a Wah pedal.



I play music ranging from Jimi Hendrix, Metallica, Sabbath, BB King, and Zakk Wylde, etc.. And I now refuse to play music from any of those artists / bands without my Crybaby Classic. In fact, it'll be in my pedal arsenal right next to my PODxt, until the day I die.



The overall quality of this pedal is unmeasurable, and I simply can't say enough good things about it.



Buy this pedal - you won't be disappointed.


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Boss DS-1 Classic Distortion Pedal

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The DS-1 provides a harder distortion effect for guitar and keyboard sounds. Instead of toneless, fuzzy distortion, the DS-1 faithfully reproduces all the subtle nuances of your playing dynamics, from whisper-quiet to screaming loud. The onboard TONE control allows you to tailor the overall sound to your liking.
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Technical Details

- The DS-1 provides a harder distortion effect for guitar and keyboard sounds.
- Instead of toneless, fuzzy distortion, the DS-1 faithfully reproduces the subtle nuances of playing dynamics, from whisper-quiet to screaming loud.
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 "This isn't the sound you are looking for" 2010-03-04
By AP (Tucson, AZ)
After years of playing acoustic guitar I purchased a Fender Strat and a DS-1. It does not produce the sound you are expecting, even beginner guitar players have seasoned ears and you will immediately feel cheated. Famous musicians did not record with a stock, present day DS-1.



The BOSS OD-3 can create the sounds you are accustomed to in popular music. If you cannot afford it new...buy a used one like I did. The OD-3 allows the tone of your guitar to come through the distortion. The OD-3 can be compared to higher priced, custom pedals...but at that level the differences are personal preference and really don't add to your performance.



But the DS-1 sound is unacceptable.

 "Use With Finesse" 2010-03-03
By Gordon K (Pacific Northwest)
I bought this pedal for use in my project studio. I wanted some creamy overdrive and increased sustain for my Strat. It works quite well. The unit does require a little finesse. If you turn everything up to "11," it sounds pretty bad--harsh and abrasive. But by backing off the output ("volume" knob) from the guitar, you can get some very warm, bluesy tones, at a variety of distortion levels. Want it a little grungier? Turn up the distortion. A little edgier? Turn up the tone control, to increase the treble. Use the volume knob to control your levels into your amp or mixer. Simple. Just don't max out the guitar output going into the unit, and you'll have tons of tonal colors to play with. I'm running the pedal as a DI box, straight into the mixer, with some outboard compression from a rack mounted unit. Makes some very sweet sounds. Very easy for recording.

 "Good pedal, does what it claims to do." 2010-02-21
By Brock Pinder (Sault Ste. Marie, ON, Canada)
Good pedal, I've had it for about a month. 3 Knobs: Distortion (Dist.), Tone, and level. It can give a great Classic Rock & Rock n' Roll tone, or even a heavier, Pantera-like tone. There are a few examples of different tones in the manual if you are having trouble. I would suggest using it with a fairly large cabinet or something to that degree to give it some color. I use a small combo amp and it still sounds good. Definitely worth 40$, should the price rise again I would consider getting something else if your on a budget, don't think it is worth more than 50-60$. but good pedal, I recommend it.

 "the REAL CHEESE of the farm? i think yes." 2010-01-25
By pmd
picture this : you step out of the shower, butt nake. you see your old, 62 watson gee-tar fine tuned with its little distortion pedal revved up and ready to rock you go "WHOAAAAAA HEEEYYYAAAAAAAA", and do a knee slide across the floor to your gee-tar, butt nake ofcorse, pick it up, stomp on this bad boy of a pedal cus it can take it, and you rock and rock and daa daahh daahhh woooooooooooooooo yeaaaa.



trust me, i weigh over 300 pounds, and i JUMP on this thing, no breaky.

 "simple and sweet" 2010-01-07
By Clifford A. Pollard (LA, CA USA)
Great pedal for the price. If you just want a little distortion then this pedal is perfect for you.


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