Buy Cheap Studio Projects B1 v2 Condenser Microphone 
Buy Low Price From Here Now The Studio Projects B1 v2 Condenser Microphone will enhance any professional or project studio application, and it will do it at an ultra low price!As a result of uncompromising dedication and today's advanced production abilities, Studio Projects has broken the barrier of quality vs price for today's recording studio environment. The B1 is a large diaphragm cardioid microphone in a pressure-gradient transducer employing high quality transformerless design and extremely low noise. Being versatile is the key in the recording arena, and the Studio Projects B1 is no exception. Equipped with a true 1-inch 3 um gold sputtered large diaphragm in a pressure gradient transducer capsule, the B1 will deliver the finest quality of vocal and instrumentation recordings in a wide variety of applications while offering a natural extended transparent high end, yet offer the thick bodied low end expected from a quality microphone. The new version of the B1 also offers a sleek new look along with a pad adjustment at both 10dB and 20dB and a 6dB high pass filter that is adjustable at 75Hz and 150Hz making the Studio Projects B1 more versatile than ever!ApplicationsA do-all general purpose recording MicGreat for close miking amplifiers, wind instruments, strings and percussion with high sound pressure levelsGreat for production, broadcast, and voice over workPerfect for the professional and home project studioA quality vocal mic suitable for all vocal stylesIncluded AccessoriesFoam wind screenZippered BagShockmount
Readmore Technical Details
- Frequency Response: 20~20000Hz
- Sensitivity: -34dB,(0dB=1V/Pa)
- Noise: 12dB-A (IEC651)
- Power Requirement: 48 +/- 4V
- Current Consumption: <2.5mA
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"Great LDC mic for price" 2010-03-06
By M. Morgan (Olive Branch, MS)
I bought a few LDC lately. The bluebird, the mxl 990, and this one and I must say for vocals this mic is better than the bluebird in my opinion. It has great clarity and it picks up hi's and low's great.... I would recommend to anyone but you must have a good preamp to get the full experience. I don't even use the pads so they probably make even more of a difference. very touchy gain and shockmount is pretty weak but the mic is nice!!!!
"excellent LDC for the price" 2009-07-28
By G. W. Schumacher (New York City)
I have had my Studio Projects B1 for a little over a year now, using it often in my home studio and for location recordings. For the price this is probably one of the best large-diaphragm condenser mics available. I've never heard the kind of low- or mid-range muddiness that seems to plague the comparably-priced MXL or Audio-Technica condensers. The mic sounds clear and accurate through the (excellent) preamps in my Alesis iO|26 firewire interface.
I've been using the B1 primarily for vocals (singing), but it works for a lot of things: acoustic guitar, hand percussion, and as a room/ambiance mic. I've also used it on a guitar amp with satisfying results. To my ears the mids and highs have pretty good clarity and detail without getting harsh; and the pads and high-pass filter switches are handy things, offering more options for getting a better sound at the source rather than trying to "fix" things in the mix with EQ (which is a chore and generally doesn't sound as good).
While there are certainly microphones on the market that have better overall clarity and presence, they tend to cost much, much more than this. One day I'll buy an AKG 414, and I'm sure it'll be worth the $850 or whatever, but the B1 meets my recording needs right now. Therefore I have rated the B1 microphone 5 stars - superb, top-notch, highly recommended.
Five stars notwithstanding, a couple notes for people considering buying this microphone:
- You will need a pop filter if you will be using it for vocals. The B1 ships with a foam windscreen, but it colors the sound and to my ears it's unsatisfactory.
- The included shockmount has some shortcomings. For one, it is difficult to insert and remove the microphone - you have to pry the plastic open with a quarter or a screwdriver, break out the elbow grease, and grunt and cuss at it for a while before it finally works. With all that rough treatment the little bungee things get stretched out, although SP gives you a replacement set. Finally, the hinge is somewhat flimsy and unreliable. It needs to be tightened a bit past the point of sensible tightness, otherwise the whole thing will flop over unexpectedly, and your snazzy B1 microphone might plummet to the floor (this is bad).
- The "leatherish" zippered case is okay (but unpadded) until the zipper breaks catastrophically, which will probably happen sooner rather than later.
"Finally, a condenser I'm thrilled with. And the price was excellent!" 2008-09-22
By D. Fichtner (American in Seoul, SK)
I'm so happy with this mic. After going through two other condensers (an MXL990 and a Shure KSM27) which I got rid of, I'm finally content. The best thing is that the price is outstanding. This mic is priced far lower than what it should be.
The Studio Projects B1 has a wonderfully warm low end to it that still has detail. I have a midrange voice, and it fits me very well. The highs are not so overly "essy", as many other cheaper mics are. They are clear and just right. I barely feel a need to add much for EQ.
My previous experience with an MXL 990 was not a good one. I returned it in a day, due to the muddy lows and weird high end. I also had a Shure KSM27, which is probably better suited for high-pressure sound applications than VO's. I didn't care for its boxy highs sound, and sold that off.
The Studio Projects B1 is just incredible for the price. You can actually hear it if you do a web search on transom dot org mic shootout. It sounds better than mics costing thousands.
Really, an outstanding product. People say the C1 is better, but I just can't imagine myself needing it -- I'm so thrilled with this B1 for VO work.
The only con I'd say is the rather cheap basket holder. It comes with a free windscreen, though, which is a nice touch.
Remember, v2 of his mic has the extra -10 and -20 pad switch, as well as a two low-cut modes at -75, and I believe -150. Both work fairly well.
Get it!
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