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Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts. When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting. The Auto Dynamic™ circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren’t restricted to using the Attack and Release controls only in “peak” operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple “single-purpose” limiters while sound reinforcement users can standardize on the 266XL for all of their applications. The 266XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx® VCA to design in an extra-wide threshold range and ensure top gating performance for each application.
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Technical Details
- Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Provide less than musical compression, coupled with gating
- Swallows transients-or closes early
- Adjusts the actual attack and release times to optimally match the program material
- Advanced gate circuitry uses a completely new, program-dependent timing algorithm
- Produces ultra-smooth release characteristics-even with complex signals
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By Brian P. Sullivan
I'm pleased about this purchase. We do live-to-tape podcasting; this compressor makes the levels much easier to control. I still need to add more post production compression for my commercial work (broadcast), but hey, that's only one extra step.
Solid device. Great price. Until money, need and want align, the DBX compressor will do just fine.
By Miles Tougeaux (San Diego CA USA)
Use it for live spoken word mic/PA and MP3 recording. Easy to set up and use. Eliminates pops and source volume variation (mumblers), redux on audience and background noise. Great value.
By JT (NJ)
You simply can't beat the quality and price of the DBX compressors. I've used DBX for both professional on-air recording and private studio recordings for over 7 years. The expander/gate is phenomenal. The compressor is natural sounding, and provides much more flexibility than a standard limiter ever could. Match this unit with a Shure SM58 microphone and you have a powerhouse of a recording setup.
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